色欲檔案之性
Funny是一個專業(yè)的發(fā)型師,剛剛與男朋友分了手,所以感到十分傷心、寂艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。而且近來Salon的生意不是太好,她的收入更是每況愈下,令她十分煩惱。 一天,她靈機(jī)一動,想出了一個一石二鳥的方法。她在報紙上刊登了一些廣告:「外賣化妝理發(fā),發(fā)型師到會」。 自此,她的電話便響個不停,每天都有不少order,收入亦穩(wěn)定下來。生意能夠那麼好,當(dāng)然不是因?yàn)樗南搭^、理發(fā)技術(shù)高超,而是倚她所提供的額外服務(wù)...... 今天,她又接到了一個order,客人是在中環(huán)商業(yè)區(qū)上班的大公司高層人員。經(jīng)過一輪正宗的洗頭服務(wù)之后,她便開始為客提供客外的服務(wù)。
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劇情提要
Funny是一個專業(yè)的發(fā)型師,剛剛與男朋友分了手,所以感到十分傷心、寂艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。而且近來Salon的生意不是太好,她的收入更是每況愈下,令她十分煩惱。 一天,她靈機(jī)一動,想出了一個一石二鳥的方法。她在報紙上刊登了一些廣告:「外賣化妝理發(fā),發(fā)型師到會」。 自此,她的電話便響個不停,每天都有不少order,收入亦穩(wěn)定下來。生意能夠那麼好,當(dāng)然不是因?yàn)樗南搭^、理發(fā)技術(shù)高超,而是倚她所提供的額外服務(wù)...... 今天,她又接到了一個order,客人是在中環(huán)商業(yè)區(qū)上班的大公司高層人員。經(jīng)過一輪正宗的洗頭服務(wù)之后,她便開始為客提供客外的服務(wù)。
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
懲罰者:最后一擊
弗蘭克(喬·博恩瑟 飾)在尋找復(fù)仇之外的人生意義時,被一股意想不到的力量拉回了戰(zhàn)斗。