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刺殺小說家2
鄧超,董子健,雷佳音,王圣迪,丁程鑫,王彥霖,鄧飛,張震,辛芷蕾,郭京飛,常遠陷入人生低谷的小說家路空文（董子健 飾）被巨大的誘惑牽引，導致他自己和書中的角色都陷入了不可逆轉的危機。最終小說家找回了信念，與書中人一起拯救了雙世界危機。
復仇：愛的故事
尼古拉斯·凱奇,安娜·哈徹森,特麗莎·貝特曼,黛博拉·卡拉·安格,唐·約翰遜,約書亞·米克爾,羅科·紐金特,喬·歐科特貝克,卡特·伯奇,夏琳·蒂爾頓,迪克蘭·圖萊尼,卡拉·弗勞爾斯,吉米·岡薩雷斯,科里·斯科特·艾倫,邁克·普涅夫斯基,凱蕾·里維拉,沙維爾·德克里,邁克爾·帕帕約翰緹娜（安娜·哈金森 Anna Hutchison 飾）帶著十二歲的女兒貝斯（特麗莎·貝特曼 Talitha Bateman 飾）于午夜走在回家的路上，遇見了一群小混混，小混混們強暴了緹娜，貝斯作為目擊證人將施暴者們的面容牢牢記在了心底。在法庭上，貝斯當庭指認了兇手，然而，被告方找來了一位毫無道德底線并且巧舌如簧的律師，他們聯手栽贓緹娜，顛倒是非黑白，而法官也只想息事寧人。 約翰（尼古拉斯·凱奇 Nicolas Cage 飾）是一名從業多年的老警官，雖然表面風光，但實際上他正在遭遇人生的中年危機。緹娜的案件激發起了約翰內心里熄滅已久的正義感，他決定挺身而出幫助這對可憐的母女。
檢事霞夕子～無關系的死～
沢口靖子,西村和彥,神保悟志,石丸謙二郎,いしのようこ,川野太郎,ダンカン,松原智恵子,手塚理美一名男子因獵槍走火而身亡，幾乎所有的人都認為這是一起意外，只有一向風格強硬的檢事霞夕子（澤口靖子 飾）倍感蹊蹺。她執意深入調查，但是最終一無所獲。與此同時，名叫安川初音（石野洋子 飾）的女子來到夕子老家的寺院上香，她此行的目的是悼念一個因被誤解而意外死亡的男子。安川種種反常舉動引起了夕子的注意，她旋即又對安川展開調查，卻無意間發現這兩起意外事件的關聯。層層迷霧漸漸散盡，真相逐漸浮出水面…… 本片根據夏樹靜子的原著小說《路上の奇禍》改編，是3週連続 罪と女系列的第2部，另外兩部分別為《破婚的條件》和《魔術的耳語》。
魯邦三世：不死身的血族
栗田貫一,大塚明夫,浪川大輔,澤城美雪,山寺宏一系列時隔約30年的2D劇場版動畫，故事講述魯邦三世為奪取地圖上未標注的神秘島嶼中沉睡的巨額寶藏，直面生涯最大考驗
自由萬歲
華萊士·比里,里奧·卡利羅,菲伊·雷In this fictionalized biography, young Pancho Villa takes to the hills after killing an overseer in revenge for his father's death. In 1910, he befriends American reporter Johnny Sykes. Then a meeting with visionary Francisco Madero transforms Villa from an avenging bandit to a revolutionary general. To the tune of 'La Cucaracha,' his armies sweep Mexico. After victory, Villa's bandit-like disregard for human life forces Madero to exile him. But Madero's fall brings Villa back to raise the people against a new tyrant...
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster