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山姆·文森特,Dexter Bell,William 'Big Sleeps' Stewart,凱倫·霍爾尼斯,多隆·貝爾,Porsha Pointner,莎倫·泰勒,杰西·哈奇,塔米·吉利斯,Christina Lewall,Blaine Anderson,Jason Bell,Gagun Chhina,James Coupland,Brenda Crichlow,布拉德·凱利穿越愛情線
葉灝基,關(guān)嘉敏,許俊豪,陳康琪動物僵尸
Ione Butler,安德魯·阿斯珀,La La Nestor,Kim Nielsen,Marcus Anderson,Brianna Joy Chomer,Ivan Djurovic,亞倫·格羅本,Kaiwi Lyman,William McMichael,Reuben Uy,Isaac Anderson,Tammy Klein,Cedric Jonathan,Joe Conti尸咒
金允慧,宋以載,樸智勛,李相亞戰(zhàn)斧骨
帕特里克·威爾森,庫爾特·拉塞爾,莉莉·西蒙斯,肖恩·楊,扎恩·邁克拉農(nóng),馬修·福克斯,大衛(wèi)·阿奎特,凱瑟琳·莫里斯,希德·黑格,理查德·詹金斯,邁克爾·帕爾,杰米·??送?詹姆斯·托根雙雄出擊
王輝,張永華,李博,周承赟,張凱翔,艾科熱木,亓梓桓,戚彩,宋宇欣同類推薦
鬼屋脫身
Jaclyn Betham,絲柯·泰勒-考普頓,蘭德里·阿爾伯特,萊恩·托冉,Noah Lowdermilk,Jamil Walker Smith,Lane Caudell,Ben Deschaine,Chrystopher Ryan Johnson,Kynsleigh Queen,Liz Zwiebel一個年輕女子被一個背木邪教綁架和她的報復(fù)。
抵擋計劃
Donald Cerrone,凱利·林恩·萊特,Vincent E. McDaniel,布蘭迪·羅德里克,Chris Maher一名被困在公寓里的年輕人,門外有一群惡魔,他必須找到一種方法度過夜晚,逃離213號公寓。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
機器人藝妓
木口亞矢,長谷部瞳,齋藤工,竹中直人,志垣太郎,亞紗美少女芳江(木口亞矢 飾)本是某藝妓館內(nèi)的低等侍女,她潛心伺候身為當家藝妓的姐姐菊奴(長谷部瞳 飾),但是菊奴對她頤指氣使,絕情絕義。偶然機會,芳江過人的膂力被影野制鐵的少爺影野光(齋藤工 飾)所發(fā)掘。影野制鐵表面上是一家大型家族式鋼鐵公司,暗中則受命于國家,擔負武器的制造工作。與此同時,其創(chuàng)始人影野拳山(志垣太郎 飾)懷有不可告人的野心,他四處網(wǎng)羅人生失意的女孩,將她們訓(xùn)練成美貌與殺傷力并重的藝妓殺手,甚至通過身體機械化改造來加強女孩們的實力?! °裸露姆冀c菊奴被騙進入影野制鐵,姐妹倆更被迫互相殘殺。在此過程中,她們?yōu)榱顺綄Ψ蕉粩嗉訌娪?xùn)練和改造,繼而成為影野家族不可或缺的機器人殺手。然而隨著任務(wù)的進行,芳江卻漸漸發(fā)現(xiàn)親情的珍貴以及影野家族的丑惡用心……
4度空間大師
羅伯特·蘭辛,李·麥瑞威瑟,James Congdon一位科學(xué)家在一次試驗中,發(fā)現(xiàn)用腦波可以使一只鉛筆穿透銅板,不過,他的實驗室在一次大火中毀滅,這位科學(xué)家不得不投靠他的哥哥。他的哥哥也在進行著另一項實驗,他發(fā)現(xiàn)重新組合原子結(jié)構(gòu)可以產(chǎn)生巨大能量。他與弟弟合作,利用弟弟的腦波和實驗心得,改變?nèi)魏挝镔|(zhì)結(jié)構(gòu),形成“四度空間人”?! 〔贿^,“四度空間人”使用一次均會失去時間而老化,必須不斷增加能源,而每次吸取能量,就會將老化轉(zhuǎn)移他人,于是他不斷殺人以維持青春。究竟四度空間人會不會最終被消滅,請觀眾自己品味?! ”酒瑯?gòu)思新穎,運用高科技手段拍攝,是觀眾有身臨高科技時代的感覺,當然,這指的是身在影片所屬的年代!