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劇情簡介
豪宅泳池里的美女等你一起嬉艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan
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謀殺穆巴拉克
潘卡·特里帕蒂,迪寶·卡帕蒂婭,維杰·維瑪,卡瑞詩瑪·卡普爾,薩拉·阿里·汗,蒂絲卡·喬普拉,庫納爾·赫姆,桑杰·卡普爾,Tara-Alisha Berry,Kiara Sadh,Hardika Sharma,Alok Panwar,Neeraj Saidawat,Ashok Chhabra,Amaara Sangam仿生人妻子
喬納森·萊斯·梅耶斯,埃萊娜·康博里斯,多隆·貝爾,阿加·達(dá)什,Alix Villaret,Fletcher Donovan,莎拉·桑帕約,Rachelle Goulding,凱特琳·史崔克,C.J. Perry他年她日
許光漢,袁澧林,陳澤耀,韓佩瑤,董瑋,陳輝虹,駱振偉,許恩怡,謝詠欣瘋狂特警隊(duì)
丹尼·伯恩,愛麗絲·波爾,米歇爾·布朗,伊萬·阿達(dá)勒,薩賓·阿澤瑪,帕特里克·米勒,弗朗西斯·利范德,安·瑪麗文,弗洛亨特·皮耶,阿蘭·杜泰,于爾班·康塞利埃,弗朗索瓦·溫琴泰利獵殺杰西卡·布洛克
Danica De La Rey Jones,塔梅爾·伯賈克,安東尼·奧塞耶姆,Vaughn Lucas梅根失蹤
安伯·珀金斯,蕾切爾·奎恩,迪恩·維特,Jael Elizabeth Steinmeyer,王仲欣,Brittany Hingle,Carolina Sabate,Trigve Hagen,Rudy Galvan,艾普爾·斯圖瓦特,John K. Frazier,Tammy Klein,Lauren Leah Mitchell,Jon Simonelli,Craig Stoa,尼基·克里斯蒂,安德魯·道布勒人氣佳作
沒問題2021
梁龍,徐潔兒,范帥琦,賈天明,王宏偉,遲志強(qiáng),鄒德江,丁鶴,黃靖芯,謝昀杉,大兵毛骨悚然撞鬼經(jīng) 15周年特別篇
稻垣吾郎,草彅剛,北乃綺,坂上忍,石原里美,小池徹平,桐谷美玲,菜菜緒,黑木瞳,町田啟太,剛力彩芽,島崎遙香,廣瀨愛麗絲,藤本泉鬼屋直播
莎拉·莫利斯基,妮佳·海特洛娃,茂·孫,Victor Soares愛情坐標(biāo)
凱莉·羅蘭,馬索·曼恩,Chris Kapeleris,亞歷桑德拉·卡斯蒂略,梅蘭妮·利什曼,羅賓·席德,安妮·岡薩雷斯,大衛(wèi)·皮納德,Nck Name,丹尼爾·馬力克, 卡洛斯·岡薩雷斯-維奧,Elena Khan,Melissa Bray,Ava Blackwood,Connie Manfredi,Ronald P Boone Jr.,Cynthia Menard,Arabella Williams,安德·雷特爾,Hannah Yohannes導(dǎo)演精選
學(xué)前班
兩位堅(jiān)定的父親展開一場滑稽的爭奪,爭奪讓孩子進(jìn)入一所精英幼兒園,最終升級(jí)為一場荒誕的競爭,結(jié)果出乎意料。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
極限啟航
繼水星和金星之后,地球也面臨存亡危急之秋,太陽黑洞的擴(kuò)張持續(xù)加大,與曾在戰(zhàn)爭交手的火星人合作,似乎是人類活下去的唯一希望…。