彈珠機交際花

評分:0.7 播放:94萬 更新:2026-06-10
主演: 未知/

Pachislot Battler Sakura 2009 鈴川櫻是一位在“大天堂”大廳工作的當紅美女。她有一個名叫 Goro Nanao 的男朋友,他在一家上市的 pachislot 制造商工作,并被指派設置 pachislot 機器并開發新機器。同居一年后,小櫻開始向五郎施壓,要求她結婚。陷入困境的五郎從經理西垣那里收到了有關后插槽“神七”的信息!旋轉一場比賽需要1,500日元,但這是一家超級爆炸的商店,每次大動作175,000日元。起初,五郎很不情愿,但當他一夜賺到四百萬美元時,他逐漸無法擺脫自己的魅力。小櫻和大天堂的經理都參與其中,情況每時每刻都在變化艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan

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婚禮1979

劉曉慶,徐敏,于紹康,張連文,張玉玉,項堃,張雁,朱玉榮,劉衍利,黃小雷,雷明遠,阮斐,馬冠

 故事發生在1975年的北京,技術員岳志鵬來到了女友盛敏(劉曉慶 飾)所在的工廠里,兩人準備共同負責一個非常重要的項目。盛敏有兩個妹妹,她們一個愛上了工程副指揮高宇(徐敏 飾),另一個和名為王大龍(劉衍利 飾)的男人走到了一起。岳志鵬的父親受到迫害,與此同時,岳志鵬抄了一首悼念總理的詩文,這在當時會將岳志鵬置于非常危險的地位。為了保護岳志鵬,盛敏偷偷的將詩文藏在家中,哪知道高宇為了邀功,竟然偷出了詩文,導致岳志鵬也遭到了調查迫害。為了不連累盛敏,岳志鵬決定和她斷絕一切往來,高宇的所作所為也讓盛敏的妹妹看清了他的丑惡嘴臉。

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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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Peter Franzén,伊麗娜·別爾克倫德,Jenni Banerjee

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