無(wú)理性暴行之現(xiàn)代性犯罪絕叫篇

★ 8.1 播放：94萬(wàn) 更新：2026-06-11
主演： 若松孝二/

大學(xué)生原田（村岡博 飾）、輟學(xué)的學(xué)生松本（坂口俊正 飾）和工廠工人大澤（城一也 飾）生活在一間局促簡(jiǎn)陋的公寓艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。三人皆來(lái)自青森鄉(xiāng)下，窮困潦倒的生活讓他們對(duì)社會(huì)和富人充滿了憎恨。某天他們搭火車前往網(wǎng)走市（石井輝男電影《網(wǎng)走番外地》的拍攝地）散心，在海邊強(qiáng)暴了一位富家千金。回到東京的三人愈發(fā)顯得墮落和憤世嫉俗，他們偷窺隔壁媾和的男女、和宣傳學(xué)生運(yùn)動(dòng)的女生吵架、強(qiáng)暴在東京擔(dān)任女招待的同鄉(xiāng)知惠子（東條瑛 飾）。隨著同伴大澤的意外身亡，他們的自毀之路逐漸走到盡頭

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劇情簡(jiǎn)介

大學(xué)生原田（村岡博 飾）、輟學(xué)的學(xué)生松本（坂口俊正 飾）和工廠工人大澤（城一也 飾）生活在一間局促簡(jiǎn)陋的公寓艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。三人皆來(lái)自青森鄉(xiāng)下，窮困潦倒的生活讓他們對(duì)社會(huì)和富人充滿了憎恨。某天他們搭火車前往網(wǎng)走市（石井輝男電影《網(wǎng)走番外地》的拍攝地）散心，在海邊強(qiáng)暴了一位富家千金。回到東京的三人愈發(fā)顯得墮落和憤世嫉俗，他們偷窺隔壁媾和的男女、和宣傳學(xué)生運(yùn)動(dòng)的女生吵架、強(qiáng)暴在東京擔(dān)任女招待的同鄉(xiāng)知惠子（東條瑛 飾）。隨著同伴大澤的意外身亡，他們的自毀之路逐漸走到盡頭

導(dǎo)演精選

彭大將軍

 影片以彭德懷同志在“文革”前和文革剛開始的經(jīng)歷為主體，不斷穿插閃回各種歷史片斷，用傳記片的手法反映了他富有傳奇色彩的一生，使觀眾對(duì)他光明磊落、胸懷坦蕩、剛正不阿德個(gè)性和雄才大略有了一個(gè)全面直觀的認(rèn)識(shí)。影片從歷史的真實(shí)面貌出發(fā)，并沒有將主人公神化，而是將一個(gè)有血有肉可親可敬的領(lǐng)袖人物全面的展現(xiàn)出來(lái)。影片熱情地贊揚(yáng)了彭總的赫赫戰(zhàn)功，謳歌了彭總剛正不阿、直言敢諫、堅(jiān)持真理、不畏權(quán)勢(shì)的精神。相比較其他開過(guò)元帥，彭德懷的耿直和心胸是永存于歷史的。歷史，是不會(huì)磨滅他的功勞。人民，不會(huì)忘記他的功勞。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

夢(mèng)想的力量2026

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