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韓韶禧,全鐘瑞,金新綠,鄭英珠,金圣喆,李在均,柳始我人生低谷迫使兩位女子偷盜數(shù)百萬(wàn)黃金——這是他們?nèi)松凶詈笠淮紊镭P(guān)的冒險(xiǎn)。 美善（Mi Seon）和道靜（Do Gyeong）或許早已習(xí)慣在首爾江南區(qū)最危險(xiǎn)的地段掙扎求生，但這并不意味著她們已經(jīng)安于此地。除了彼此之外，兩位好友只能拼命攢錢，想要擺脫危險(xiǎn)的生活方式。然而，就在“退休”指日可待之際，世界卻背叛了她們，粉碎了她們的希望。在絕路邊緣，她們?cè)诮蠀^(qū)發(fā)現(xiàn)了一筆隱藏的財(cái)富，其中包括贓款和黃金——并將所有賭注押在了人生中最后一次豪賭上。
混凝土市場(chǎng)電影版
李在仁,紅炅,鄭滿植,劉秀彬,金國(guó)熙,崔正云,宋智仁,李家晴,李道根,孫寅勇...
屋中異蛛
艾莉拉·布朗 , 佩內(nèi)洛普·米契爾 , 瑞安·柯?tīng)?, 希薇婭·克洛卡 , 杰梅因·福勒 , 諾妮·哈澤赫斯 , 羅賓·奈文 , Tony J Black , 阿爾西拉·卡皮奧 , 丹尼·金 , 羅蘭·福爾摩斯內(nèi)詳暫無(wú)簡(jiǎn)介
怪物驚魂
碧帕莎·芭素,Imran Abbas,Bikramjeet Singh,Deepraj Rana,Mukul Dev某年圣誕節(jié)期間，位于一個(gè)僻靜舒適角落的格蘭達(dá)爾森林旅館正式開(kāi)業(yè)。美麗的女店主阿哈娜（碧帕莎·芭素 Bipasha Basu 飾）為了這一天可謂煞費(fèi)苦心，她以一己之力安排旅館內(nèi)的一切事務(wù)，與此同時(shí)第一批客人也接二連三入住。雖然狀況不斷，不過(guò)旅館的開(kāi)業(yè)儀式總算順利進(jìn)行了下來(lái)，而且她還因誤會(huì)結(jié)識(shí)了擁有迷人氣質(zhì)的客人庫(kù)納爾·阿南德（Imran Abbas 飾）。然而在前一晚，給旅店送貨的司機(jī)遭到不明生物的襲擊，死狀可怖。次日，一對(duì)新婚燕爾的夫妻也在叢林中遇襲?！ 】植赖乃劳鰵夥昭杆俾?，阿哈娜好不容易建立起來(lái)的夢(mèng)想旅館，面臨怪物的無(wú)情毀滅……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
蓋爾：黃磚路
Chlo? Crump,Hassan Taj,Laura Kay BaileyDorothy, now an elderly woman haunted by her past, tries to warn her granddaughter Emily before dark forces pull her into Oz, a once familiar land now twisted by horrors.