劇情簡介
艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan別名: 一個可疑的人 / A Suspicious Employees / 員工大贏家
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眠狂四郎
長谷川博己,黑島結菜,高橋光臣,菜菜緒,森永悠希,坂東彌十郎,宅麻伸,今野浩喜,佐藤江梨子,西村雅彥,神保悟志 ,原沙知繪,本田博太郎在將軍德川家齊統治下的文政年間，老中水野忠成與水野忠邦在幕府內展開激烈的權力斗爭。此時，攜帶名刀“無想正宗”的神秘浪人眠狂四郎（長谷川博己 飾）現身江戶，并受忠邦的親信之命，暗中刺殺刺客。被他斬殺的刺客頸上佩戴著象征基督信仰的念珠。隨后，狂四郎將此物交還給刺客的妹妹靜香，引發信徒與豪商備前屋的反擊，雙方為守護與暗殺而對立。另一方面，大目付松平主水正也奉忠成之命，派遣劍豪追殺狂四郎。權謀與信仰交織，一場錯綜復雜的生死之戰即將展開。
美麗新世界
Julie Cobb,巴德·庫特,凱爾·杜拉,朗·奧尼爾,瑪西亞·斯特拉斯曼,迪克·安東尼·威廉姆斯,瓊內爾艾倫,珍內塔·阿爾內特本片改編自“ 阿道司·赫胥黎 ”同名小說。一個在原始社會長大，通過閱讀莎士比亞自學的野蠻人，突然有一天加入了他父母所在的未來社會。然而，他不能適應他們的生活方式……
他年她日
許光漢,袁澧林,陳澤耀,韓佩瑤,董瑋,陳輝虹,駱振偉,許恩怡,謝詠欣在一場世紀大地震后，矗立于海中央的“重力墻”將世界一分為二，形成兩個不同的時區和重力環境，“優日區”的一天，是“長年區”的一年。長年區長大的薯仔（許光漢 飾）對來自優日區的實習醫生安晴（袁澧林 飾）一見鐘情，面對時間和地理的巨大阻礙，薯仔和安晴用盡全力雙向奔赴，以年思念，以日相見。在失衡的時空里，他們能否堅定地愛到最后，守護這場刻骨銘心的愛戀？
坐白車的女人
鄭麗媛此劇是以三位女人為中心展開的懸疑驚悚劇。 鄭麗媛劇中飾演渾身是血，打開案件中心的主人公都京一角，她比誰都隱藏著沉重的秘密。
蓋世神功
林雪,鐘一憲,張全蛋,林盛斌,金剛,羅家英,詹瑞文,陳啟泰,劉亭希,林敏驄,李尚正,莊鍶敏,鄭恕峰,羅莽,郭政鴻,李昊祖70年代，洪英真出?在H國華?街的武林世家“洪刀門”，因成?過程?事?成被眾?戲稱為“廢柴”。 ?次機會，洪英真偶遇?同學包掂并認識了“忠孝堂”豹哥，卷??場陰謀當中。?武林??“?塵”?早看穿洪英真是潛在練武奇才，于是打通其筋脈。 洪英真迫聽?塵的建議躲到和平村。在和平村?，洪英真陰差陽錯惹上惡霸林?爺。萬萬沒想到林?爺的??竟然是豹哥，于是洪英真與豹哥的恩怨?再次拉開……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
臨冬
瓊·拉斯皮尤爾an experimental work by the Negu Collective, all of them former students of the ESCAC in Barcelona.