愛欲疑狂
約瑟夫（凱西·希瑪茲科 Casey Siemaszko 飾）和瑪麗（蕾·泰勒-楊 Leigh Taylor-Young 飾）是一對結婚多年的夫妻，在外人看來，他們之間的感情非常的要好，簡直是天設地造的一對靈魂伴艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。但隨著時間的推移，兩人之間愛的火花漸漸冷卻，矛盾和問題不可避免的逐一展現。某日，約瑟夫震驚的發現，自己的妻子竟然和一個名叫博爾達桑的男人有染，博爾達桑是一位著名的性學大師，非常精通如何給女人帶來快樂之道。 雖然瑪麗出軌的消息讓約瑟夫非常的傷心，但他依然深深的愛著自己的妻子，于是，他做出了一個驚人的決定，那就是也成為了博爾達桑的門徒，他要向這個男人學習取悅女人的方法，然后用他的方法來挽回妻子的心。
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離岸追查
Eye Ha?dara,梅拉尼·羅蘭,拉斐爾·佩爾索納,約瑟芬·約比Mata follows the story of a French secret agent who is wounded during a covert mission in Niger. During this operation, her colleague Antoine is captured, leaving her both physically and emotionally scarred. Upon her return to France, Mata volunteers for a counter-espionage mission in the Alps. She suspects that this new assignment is somehow linked to her traumatic experience in Africa. As she delves deeper into the mission, Mata becomes increasingly convinced that her superiors are concealing critical information from her. Determined to uncover the truth, she operates outside official channels, risking her career and her personal safety.
千萬不要跟著我
Karla Coronado,揚克爾·史蒂文,Julia Maqueo卡拉夢為了成為知名的網紅，決定在自己的公寓里偽造一場鬧鬼事件。然而令她沒想到是，她的行為意外招來了不懷好意的東西。
死亡修女
阿瑞亞·貝得瑪,阿爾穆德納·阿莫爾,Maru Valdivielso,Luisa Merelas,Chelo Vivares,Pablo Guisa Koestinger,康斯薇洛·特魯希略,Daniela Casas,Olimpia Roch,Sara Roch,Marina Delgado,Claudia Fernández Arroyo,Adriana CamarenaThe film tells the story of how, in post-war Spain, Narcisa (played by Aria Bedmar), a novice with supernatural powers, arrives at a former convent, now a school for girls, to become a teacher. As the days go by, the strange events and increasingly disturbing situations that torment her will eventually lead her to uncover the terrible web of secrets that surround the convent and haunt its inhabitants.
蜂蜜的針
袁泉,耿樂,寧靜,俞飛鴻,齊溪,陳沖,孫悅,史可,余皚磊,李大光,楊子姍,劉雅瑟,竇靖童,馬書良,焦剛,胡明性格孤僻的農科院研究員支寧（袁泉 飾），在愛情里四處碰壁。在一次文學講座上，她對作家寇逸（耿樂 飾）一見鐘情，從此陷入偏執愛情的她開始悄悄跟在寇逸身后……在偶然的契機下，支寧應寇逸之邀加入一場旅行。本以為是靠近心意的“愛情”之旅，卻沒料到途中變故接踵而至，逐漸成為了一場亡命之行。蹊蹺的命案接連發生，所有人和事都在朝著完全失控的方向狂奔…… 以愛之名的潘多拉魔盒已然開啟，當愛意被執念裹挾，人究竟會為了守住所謂的“愛”，突破多少不可逾越的邊界？
殺的就是你
莎姬·貝茲,湯姆·費爾頓,帕特麗夏·阿奎特,海瑟·格拉漢姆,米哈拉·赫羅德,佩特遜·約瑟夫,阿曼多·里維拉,達倫-邁耶,克里斯·范·倫斯堡,蓋布·加布里埃爾,梅根·亞歷山大一個從事打掃工作的女子為紐約一座摩天大樓中的富人家工作，卻被告知這里有一個供奉撒旦的邪教，每個月要殺一個人作為祭品，“今晚，選中了你……”
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.