在線觀看
劇情提要
艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan別名:暗戀之男生與女郵遞員、Heimliche Liebe - Der Sch uuml;ler und die Postbotin,駭人聽聞的一部影片,關于17歲少年和37歲中年女性的不倫之戀,約 賴因哈特Joe Reinhardt(科斯蒂亞 middot;烏爾曼飾)的有錢父母(
暗夜精選
協議
貝倫·魯埃達,米蕾婭·奧利奧,達里奧·格蘭迪內蒂,安東尼奧·杜蘭·莫里斯,喬斯因·本格特伊,卡魯斯·法布雷加,瓦內薩·布查卡,塞巴斯蒂安·蒙特奇諾本能反應
安東尼·霍普金斯,小庫珀·古丁,唐納德·薩瑟蘭中華戰士
楊紫瓊,吳耀漢,爾冬升,盧冠廷,劉芊蒂,松井哲也,陳敬,張耀星,趙志凌,馮克安,黃正利,谷峰,劉晃世,羅莽,譚偉民兄妹
大泉洋,宮崎葵,瀧本美織,仲野太賀,西原亞希,七五三掛龍也,一路真輝,夏洛特·凱特·福克斯,笹野高史,波乃久里子鬼嬰廟
Arisara Tongborisuth,Pitchanart Sakakorn,Somchai Khemklad靈異醫院
Sara Foster,Cary Elwes,Michael Biehn,Gabriel Mann,Colleen Camp,Winter Ave Zoli,Susie Amy,Katherine Shanklin大佛回國
Philip Granger,Toshi Toda,寶田明,森田友希,Shelley Sweeney,久保明,Peggy Neal,Robert Scott Field,螢雪次朗,Francisco de Borja De la Bella,小林夕岐子,Inge Murata,Yoshiro Uchida,Ippei ?sako,Norman England同系列推薦
跨國銀行
克里夫·歐文,娜奧米·沃茨,阿明·繆勒-斯塔爾,烏爾里奇·湯姆森,布萊恩·F·奧博恩誤色
Matthew Gilliam,Lavinia Postolache,Peter Gantenbein,Tanya Thomas,William Frederick Knight,司馬優夏日躁動
Fanta Kebe,希雷爾·納塔夫,艾蜜兒·班特,伊迪爾·阿祖格利,Yuming Hey,蘇贊妮·德芭奎,Zakaria-Tayeb Lazab,Mouctar Diawara,Nicola Bulatovic,Mohamed Dramé,Yassine Mahavita,Aymane Mazit,Djibril Diamoye,Nour Lajiri,Fatoumata Koné,Lilya Jabelmeki,Mariam Diamoye,Cynthia Hounkpati,Zeinab Karam血屋之謎
小前提
Sathya Sridharan,帕頓·阿什布洛克,達納·艾希布魯克麗薩·安·沃爾特:純屬意外
麗薩·安·沃爾特幕后花絮
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
破壞欲
在父親的生日宴會上,一面鏡子的突然碎裂讓吉娜(琳娜·海蒂 Lena Headey 飾)和眾人感到了深深的不安。第二天,吉娜來到工作的醫院,卻被告知就在不久之前自己剛剛離開了醫院。對于這一異象,吉娜只以為是同事眼花,但之后發生的事情卻讓她再也無法保持平靜——無論是大街上正在行駛的紅色越野車,還是車中所坐的女子,皆和吉娜完全相同。 無法控制自己好奇心的吉娜尾隨女子來到了一幢公寓,過后,吉娜遭遇了慘烈的車禍。為了療傷,吉娜開始和男友斯蒂芬(梅爾維爾·珀波 Melvil Poupaud 飾)同居,她將她的所見所聞告知了男友,后者卻認為她不過是腦部受到了創傷,吉娜陷入了無盡的恐懼和懷疑之中。