午夜妖精
東京新宿某個破爛的角落,生活著一對姐艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。姐姐福井明美(大山節子 飾)經營著名為;郁金香的小酒吧,兼帶做著皮肉生意,其情夫小澤健次(益富信孝 飾)日常則擔任酒吧的保鏢。明美的妹妹綽號;金絲雀 智商低下的她是姐姐的員工。每日迎來送往,雖在泥沼之中卻仍保持著單純天真的本性。某天,一名不速之客闖入姐妹倆的生活。剛剛打劫完富豪之家的青年坂口一夫(風間杜夫 飾)與明美發生口角,結果被小澤暴揍丟到門外。次日清晨,金絲雀看到傷重的坂口,她不顧明美和小澤的阻攔,將其留在身邊。他們共同哼唱的童謠讓彼此找到了認同感,一段奇妙的情緣就此展開
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狂野時代
易烊千璽,舒淇,趙又廷,李庚希,黃覺,陳永忠,郭沐橙,張志堅,曾美慧孜,閆楠紅衣新娘2022
莎拉·菲爾伯鮑姆,愛德華多·諾列加,安娜·加列娜,迪諾·阿布雷夏,克里斯蒂娜·多納迪奧,Maurizio Marchetti,馬西莫·吉尼,羅伯塔·吉拉魯索,Odette Adado,Ippolita Baldini,Angie Balzan,Mariangela Casalucci,Malich Cissé,Angele Galea,巴基薩·梅加,Gino Nardella, 瑪麗西亞·S·佩雷斯,Stefano Pesce,Francesca Rocco,Esmeralda Spadea亭亭鳳凰臺
張秋歌,陳友旺,董濤,王瀚邦,周顯欣,梁琛,王曦瑤即興謀殺
李庚希,鄧家佳,劉奕鐵,黃曉明,岳佳頤,趙胤胤,楊皓宇,宗俊濤,呂鑫,龔毅星,于晞悅關于我轉生變成史萊姆這檔事蒼海之淚篇
堂本光一我的老婆是女優
Artur Ignatenko,莉莉婭·茨維利科娃,亞歷山大·梅爾尼克同類推薦
一個悲傷而美麗的世界
穆尼亞·阿克,朱莉婭·卡薩,Alex Choueiry,Hasan Akil,Geana Restom,Marcel Jabbour,Anthony Karam,Walid Haddad,Sandy Chamoun,卡米爾·薩拉米,Michael Karam,Joseph Zeitouni,Stephanie Nohra,Nadyn Chalhoub,Cherine Khoury,Edwin Hage,Rabih Ahmar,Sharif El Yahchouchi Zgheib,Jad Ghorayeb理想主義者尼諾與傷痕累累的雅斯米娜,這對錯位戀人生活在戰火紛飛的貝魯特。當"是否離開祖國"的抉擇反復撕裂他們的童年、成年與愛情時,一場即將降臨的天文異象,將重置所有過往。
綁架
保羅·皮耶羅邦,福斯托·魯索·阿萊西,芭芭拉·朗奇,Enea Sala,萊昂納多·馬爾特斯,菲利波·蒂米,法布里齊奧·吉福尼,Andrea Gherpelli,Samuele Teneggi,科拉多·因韋爾尼齊,Aurora Camatti,保羅·卡拉布雷西,布魯諾·卡里諾,Renato Sarti,Fabrizio Contri,費德里卡·弗拉卡西,查士丁尼·阿爾皮,亞歷山德羅·班迪尼,James Basham,Leonardo Bianconi1858年,在博洛尼亞的猶太區,教皇的士兵闖入了莫塔拉家,按照樞機主教的命令,他們要搶走莫塔拉家的七歲兒子埃德加羅。這個孩子在嬰兒時期被保姆秘密洗禮,教皇法律是不容置疑的:他必須接受天主教教育。莫塔拉的父母心痛萬分,他們將不惜一切代價取回自己的兒子。在國際猶太社區和輿論 的支持下,莫塔拉家的斗爭很快就帶上了政治色彩。但是,教會和教皇不會同意歸還這個孩子,因為這有助于鞏固越來越動搖的權力……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
相會在昨天
伊登·鄧肯-史密斯,亞斯特羅,瑪莎·斯蒂芬妮·布萊克,邁拉·盧克利希亞·泰勒,達馬里斯·劉易斯,弗蘭克·哈茨,布瑞特·G·史密斯,伊恩·安特曼,小巴靈頓·沃特斯,Dante Crichlow,Wavyy Jonez,Taliyah Whitaker,Johnathan Nieves,Manny Ure?a,Khail Bryant,Allen Holloway,Ejyp Johnson一對黑人兄妹相依為命,哥哥卻被白人警察誤殺,你猜猜她會怎么辦?對抗強權為黑人群體發聲?并不,妹妹居然造了一架時光機器,回到過去好讓自己的哥哥免于槍殺!
瑪麗和麥克斯
托妮·科萊特,菲利普·塞默·霍夫曼,巴瑞·哈姆弗萊斯,艾瑞克·巴納,貝塔尼·維特莫爾,蕾妮·蓋耶,伊恩·莫利·梅爾德倫,朱莉·福塞斯,約翰·弗勞思,克里斯托弗·馬西,卡羅琳·莎士比亞-艾倫,琳恩·史密斯,邁克爾·延納1976年,8歲的瑪麗·黛西·丁格爾(貝絲妮·惠特摩爾 Bethany Whitmore 配音)是澳大利亞墨爾本的一個小女孩,喜歡動畫片“諾布利特”、甜煉乳和巧克力。瑪麗的媽媽是個酒鬼,而在茶葉包裝廠工作的父親平日只喜歡制作鳥標本。孤獨的瑪麗沒有朋友,某一天心血來潮給美國紐約市的馬克思·杰瑞·霍羅威茨(菲利普·塞默·霍夫曼 Philip Seymour Hoffman 配音)寫了一封信詢問美國小孩從哪里來,并附上一根櫻桃巧克力棒。44歲的馬克思患有自閉癥及肥胖,碰巧也喜歡看“諾布利特”動畫片及吃巧克力。二人的筆友關系從1976年維持到1994年,期間各自經歷了許多人生起伏,直到成年的瑪麗(托妮·科萊特 Toni Collette 配音)終于來到紐約看望馬克思……本片獲2009年法國昂錫國際動畫影展最佳動畫長片獎,柏林國際電影節水晶熊獎及渥太華國際動畫電影節最高獎。