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運(yùn)鈔大劫案
吳樾,包貝爾,伍允龍,元彪,安志杰甜蜜的家2025
姜恩彬,盧仙禧,樸秀彬得墨忒耳號的最后航程
科里·霍金斯,艾斯琳·弗蘭喬茜,利亞姆·坎寧安,大衛(wèi)·達(dá)斯馬齊連,克里斯·瓦利,喬恩·瓊·布里恩斯,斯蒂芬·卡皮契奇,馬丁·弗魯倫德,尼古拉·尼克拉斐,伍迪·諾曼,哈維爾·博泰特,格雷厄姆·特納,安迪·穆雷,尼科洛·帕塞蒂,克里斯托弗·約克,努爾丁·法拉西,亞當(dāng)·肖,杰克·多格特,莎莉·里夫地球浩劫
肖恩·康納利,娜塔莉·伍德,卡爾·莫爾登停滯
Dan Palmer,Tamaryn Payne,Mark Holden黑衣女人2:死亡天使
海倫·麥克洛瑞,杰瑞米·艾文,菲比·福克斯,利安娜·貝斯特,阿德里安·勞林斯,奧克利·佩德加斯特,萊拉·德·梅扎,海莉·喬安妮·培根,奈德·丹內(nèi)利,阿米莉婭·皮金,豪爾赫·萊昂·馬丁內(nèi)斯,裘德·懷特,皮普·皮爾斯,理查德·班克斯,阿爾菲·西蒙斯同類精選
女士優(yōu)先
薩莎·拜倫·科恩,裴淳華,湯姆·戴維斯,艾米莉·莫迪默,韋魯切·歐皮亞,查爾斯·丹斯,費(fèi)奧納·肖,理查德·E·格蘭特,雷德·滕南特,凱瑟琳·亨特,卡迪夫·克爾萬,比爾·帕特森,保羅·查希迪,喬丹·梅特卡夫,丹尼·艾肖克,達(dá)妮·莫斯里,梅狄·萊斯,羅恩·庫克,黛博拉·芬德萊,瑪雅·西蒙森,愛麗絲·布里塔因,埃米·格萊德希爾,湯姆·斯托頓與王生活的男人
柳海真,樸志訓(xùn),劉智泰,田美都,李浚赫,樸智煥,金旻臨冬
瓊·拉斯皮尤爾岳家小將
尋峰,魏巍,張安繼,劉衛(wèi)民,張希玲,黃駿,沈煒,崔月明,張恩宏,張成忠,孫花滿,張躍寧,王振田,蔣榮全,宋文華,宋萬熙,胡文麗,江錫榮猿山異聞錄
袁福福,王培祎,王青,王純,邵峰,付宏聲,盧勇,何承熹,宋建霖姑娘小伙正當(dāng)年
王亞軍,李強(qiáng),溫錫瑩,劉景林,薛國平,吳云芳,王鳴,周錦堂,王小燕,黃素影,張杰,石琦影視排行
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
53個周日
亞歷山德拉·希門內(nèi)斯,卡門·馬奇,哈維爾·古鐵雷斯,哈維爾·卡馬拉三兄妹同意見面商討年邁父親的未來,但重聚演變成了爭吵、嘲弄和舊怨重提。
我的生命之光
卡西·阿弗萊克,伊麗莎白·莫斯,安娜·尼奧斯基,湯姆·鮑爾,蒂莫西·韋伯,蒙克·塞雷爾·弗里德,赫羅斯加·馬修斯影片故事講述一名父親傾盡所有去保護(hù)自己的女兒。
李冰
胡慶士,毛燕華,游江雄,赫海泉,王敏宜,李媛媛,莊豐源,李連生,荏蓀,浦克,李頡,朱德喜,張奕,金淑元,許志余,惲玉純,陸建藝,張鐘熙,孫英白,胡琪,王曉正,盧廷蘭戰(zhàn)國末期,李冰任蜀郡郡守,李夫人含淚送李冰和兒子二郎去治水。路上有一女子杜鵑為她哥哥王綴喊冤。李冰調(diào)查出王綴并非罪人,在法場救下王綴,并叫他與大家一起治水。華陽侯見李冰不吃他的一套,暗中陷害李冰。一次洪水,將李冰、王綴、二郎與杜鵑等人都沖走了,他們在一起勞動,二郎和杜鵑在勞動中相愛了。好景不長,二郎在抗洪中犧牲,李冰被皇帝撤職、王綴以死相報。李夫人深明大義,以自身做人質(zhì)前往咸陽。李冰得知夫人病故,...