窗邊鄉(xiāng)村樂(lè)
公司破產(chǎn)后丟了工作的石井晃正在失意之中，這時(shí)候，大學(xué)時(shí)代電影研究社的學(xué)長(zhǎng)村崎跑來(lái)找他，拉他一起拍電ddd。石井正想找事情打發(fā)日子再加上情面難卻，就跟著村崎一道展開了試鏡活動(dòng)，為電影募集演員。 聚集到兩人身邊的有大學(xué)生電影迷野村、白領(lǐng)女郎多菜子、曾經(jīng)拍過(guò)獨(dú)立電影的中年男人峰田、沒(méi)有固定工作想當(dāng)演員的阿滿以及被選為女主角的漂亮女子真名水。 一群人意氣相投，很談得來(lái)，大家約定等村崎寫完劇本后再相聚，便陸續(xù)回去了。奇怪的是真名水沒(méi)走，她說(shuō)自己無(wú)家可歸、無(wú)處可去，大大咧咧地坐在晃家里不動(dòng)。晃值得勉為其難地收留了她。 經(jīng)過(guò)一段時(shí)間的相處，兩人之間發(fā)生了感情。一天夜晚，真名水向晃訴說(shuō)了自己的過(guò)去。晃決定為了真名，再度去公司求職。正在此時(shí)，外出旅行尋找靈感的村崎回來(lái)了，他完成了劇本。 村崎的劇本里有一場(chǎng)做愛(ài)戲，他要毫不含糊地拍出來(lái)，真名不禁開始動(dòng)搖。晃也強(qiáng)烈反對(duì)，然而村...
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暗黑子午線
比利·斯洛特,戴夫·戴維斯,詹姆斯·摩西·布萊克一名腐敗的新奧爾良偵探在放風(fēng)時(shí)陷入兩個(gè)犯罪團(tuán)伙之間的戰(zhàn)斗中。為了在夜晚生存下來(lái)，他必須找到一名殺手，并在兇手到達(dá)其他目標(biāo)之前將他帶走
李冰
胡慶士,毛燕華,游江雄,赫海泉,王敏宜,李媛媛,莊豐源,李連生,荏蓀,浦克,李頡,朱德喜,張奕,金淑元,許志余,惲玉純,陸建藝,張鐘熙,孫英白,胡琪,王曉正,盧廷蘭戰(zhàn)國(guó)末期，李冰任蜀郡郡守，李夫人含淚送李冰和兒子二郎去治水。路上有一女子杜鵑為她哥哥王綴喊冤。李冰調(diào)查出王綴并非罪人，在法場(chǎng)救下王綴，并叫他與大家一起治水。華陽(yáng)侯見(jiàn)李冰不吃他的一套，暗中陷害李冰。一次洪水，將李冰、王綴、二郎與杜鵑等人都沖走了，他們?cè)谝黄饎趧?dòng)，二郎和杜鵑在勞動(dòng)中相愛(ài)了。好景不長(zhǎng)，二郎在抗洪中犧牲，李冰被皇帝撤職、王綴以死相報(bào)。李夫人深明大義，以自身做人質(zhì)前往咸陽(yáng)。李冰得知夫人病故，...
上身
田牧童,劉述,郭星顯,黃伊伊,周炎同居男友許一恒遭遇事業(yè)難關(guān)，此時(shí)女友成心不但發(fā)現(xiàn)自己懷了孕，還獲知許一恒跟閨蜜馬可好上了，而馬可家境殷實(shí)，能夠幫助他渡過(guò)絕境。成心因?yàn)樯類?ài)，選擇成全，離開許一恒，并做了人流手術(shù)，不料這胎兒竟成了“嬰靈”點(diǎn)點(diǎn)。后來(lái)點(diǎn)點(diǎn)決定“帶走”成心，慧化大師用佛法感化點(diǎn)點(diǎn)，并將其“交給了佛”。不久成心再受邪祟之?dāng)_，點(diǎn)點(diǎn)冒險(xiǎn)回來(lái)搭救，也還原了真相……借此告誡切莫輕易墮胎，佛門有曰“五逆重罪”，墮胎必是冤孽。
怪物驚魂
碧帕莎·芭素,Imran Abbas,Bikramjeet Singh,Deepraj Rana,Mukul Dev某年圣誕節(jié)期間，位于一個(gè)僻靜舒適角落的格蘭達(dá)爾森林旅館正式開業(yè)。美麗的女店主阿哈娜（碧帕莎·芭素 Bipasha Basu 飾）為了這一天可謂煞費(fèi)苦心，她以一己之力安排旅館內(nèi)的一切事務(wù)，與此同時(shí)第一批客人也接二連三入住。雖然狀況不斷，不過(guò)旅館的開業(yè)儀式總算順利進(jìn)行了下來(lái)，而且她還因誤會(huì)結(jié)識(shí)了擁有迷人氣質(zhì)的客人庫(kù)納爾·阿南德（Imran Abbas 飾）。然而在前一晚，給旅店送貨的司機(jī)遭到不明生物的襲擊，死狀可怖。次日，一對(duì)新婚燕爾的夫妻也在叢林中遇襲。 恐怖的死亡氣氛迅速蔓延，阿哈娜好不容易建立起來(lái)的夢(mèng)想旅館，面臨怪物的無(wú)情毀滅……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
充氣情人
朱可兒,王波文,鄒旭峰,袁宗軒潘金蓮（朱可兒 飾）時(shí)候，因?yàn)閷?duì)前世的感情放不下，所以一直在陰間徘徊，遲遲不能轉(zhuǎn)世投胎，在一次企圖逃跑的時(shí)候被鐘馗捉住，為了懲罰潘金蓮，鐘馗給了她十日的期限，讓她重返人間自斷執(zhí)念，否則就要她魂飛魄散，哪知道在誤打誤撞之中，潘金蓮竟然附身在了一個(gè)充氣娃娃的身上，被名為武志（王波文 飾）的男子買回了家。 單純善良的武志讓潘金蓮再度相信了人間有真愛(ài)，在幫助武志追求心儀的女神的同時(shí)，潘金蓮漸漸愛(ài)上了他，而武志也最終明白誰(shuí)才是最值得托付終身的人，兩人最終心意相通，但是，十日的大限將到，留給他們的時(shí)間不多了。