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艾麗莎·杜什庫,加利·艾爾維斯,湯姆·馬洛伊,蒂莫西·赫頓,邁克爾·艾恩塞德利刃出鞘2
丹尼爾·克雷格,愛德華·諾頓,加奈兒·夢奈,凱瑟琳·哈恩,小萊斯利·奧多姆,凱特·哈德森,戴夫·巴蒂斯塔,杰西卡·亨維克,瑪德琳·克萊因,諾阿·西甘,杰姬·霍夫曼,達拉斯·羅伯特斯,伊桑·霍克,休·格蘭特,史蒂芬·桑德海姆,安吉拉·蘭斯伯瑞,娜塔莎·雷昂,卡里姆·阿卜杜爾-賈巴爾,塞蕾娜·威廉姆斯,馬友友,約瑟夫·高登-萊維特,丹·查里頓,艾迪·戈羅杰茨基,亞當·達文波特,詹姆斯·佩頓,杰克·塔珀唱歌的六個女人
竹野內豐,山田孝之,水川麻美,アオイヤマダ,服部樹咲,萩原實里,桃果,武田玲奈,津田寬治,白川和子,竹中直人人皮燈籠
梁家輝,邱淑貞,黃光亮,張耀揚,苑瓊丹,黃斌,林迪安,樂韻朱橘
影視排行
極度失眠
Maria Mathiesen,斯特蘭·斯卡斯加德,斯威爾·安克·奧斯達,Gisken Armand,克里斯蒂安·菲根斯科1997年,一部來自挪威的驚悚片《失眠者》上映后獲得好評,《芝加哥太陽報》的著名影評人羅杰,艾伯特給出了3星半的高分,他盛贊該片“不僅僅是一部驚悚片或動作片,而是一次心理學上的探索與學習”。兩犯罪調查者到挪威北方一個鎮幫助解決一個年輕的女孩的謀殺案,誰知陷入了巨大的困境之中。
看不見的他們
和佳蓉,毛凡,陳曉霞,孫盈藝,蘇俊宇一場車禍后,林月家里怪事連連,全身冰冷的姐姐,鏡子里看不見家人的身影,黑夜里爸爸窺探的雙眼,每天凌晨閣樓傳來的彈珠聲,林月循聲而上,當閣樓的門被打開,卻發現里面緊鎖的卻是自己的遺像……
高空求生
威廉·鮑德溫,Loris Curci,Christopher Greco,珍妮·卡斯帕,Kseniya Pinch,Zach Rose,Marianna Rosset,Diljohn Singh,Crystal WebTwo sisters living separate lives on different continents are reunited on a Mediterranean Island. The two barely have time to bond and revive family ties as Kate, the elder, meets a group of locals and agrees to an exciting ride on a hot air balloon. But disaster strikes and as the result of a freak accident, the balloon is carried far out to sea. Their cell phones out of range, and the balloon running out of gas, Kate and her friends are battling for their lives. While, back on land, the younger sister, Liz, has become an unwanted "material witness" to a crime. Matters then take a dramatic twist, one that will mark their lives forever.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster