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草莓月亮
當真亞美,齋藤潤,杉野遙亮,中條彩未,中山裕介,田中麗奈,池端杏慈,黑崎煌代,吉澤要人,伊藤健太郎,泉澤祐希,池津祥子,橋本潤,黑島結菜本片改編自同名小說。櫻井萌（當真亞美 飾）從小體弱多病，無法上學，也沒有朋友，每天獨自度過時光。她一直有一個小小的夢想——在自己生日那天，與喜歡的人一起觀賞據說能讓戀人永遠相守的六月滿月“草莓月亮”。然而，15歲那年冬天，她被告知生命所剩無幾。 從醫院回家的路上，萌邂逅了命中注定的人，并下定決心進入高中就讀。入學典禮當天，她在初次見面的情況下，向同班同學佐藤日向（齋藤潤 飾）突然告白，人生第一次戀愛就此開始。終于到了共賞草莓月亮的那一天，但從那天起，萌突然從學校消失，日向再也無法聯系上她。而萌離開的真相，以及13年后傳來的秘密究竟是什么…
絕命孤城
施駿喆,婁宇瑤,徐永革,趙曉明,馮可明朝中葉，西北邊城，青樓女子接連被殘殺，隱匿線索直指邊關軍營，神捕白展飛奉命調查，卻屢屢受阻，無奈下只得暗中探查。然而當他撥開層層迷霧，竟發現此案潛藏著一場不可告人的驚天陰謀。喋血孤城，命懸一線。（影劇備字〔2023〕第1669號）
玉米地的孩子：起源
琳達·漢密爾頓,考特尼·蓋恩斯,彼得·霍頓年輕情侶波頓（Peter Horton 飾）和維姬（Linda Hamilton 飾）旅行路過內布拉斯加州蓋特林鎮，他們在公路上發現一具兒童尸體。為了報警，兩人驅車駛入蓋特林鎮，卻發現鎮上的情況更為詭異蹊蹺：這里似乎是兒童的王國，所有成人均不見蹤影。孩子們全都聽命于一個名叫艾塞克（John Franklin 約翰?法蘭克林 飾）、自稱上帝使者的小男孩?！ ℃偵系拇笕司烤鼓睦锶チ耍亢⒆觽兂錆M惡意的眼神背后究竟隱藏著什么秘密？波頓和維姬最終能否活著走出小鎮？ 本片榮獲1984年布魯塞爾國際奇幻電影節最佳奇幻電影獎。
偷偷喜歡你電影版
施柏宇,程予希,林子閎,賴雅妍,紀卜心,曾少宗,陳如山,黃柏峰,海裕芬,錢薇真,蘇達,鄭穎,張宸呈,吳函峮蘇明儀（程予希 飾）暗戀同校的顏立堯（施柏宇 飾）很久了，沒想到分班后成為同學，顏立堯不受拘束的性格讓他經常被風紀股長蘇明儀“記名字”，記著記著，同時也在心里刻下了不可磨滅的印記，殊不知，卸下風紀的她，只是一個暗戀他許久的傻女孩罷了。當別人還在揮霍青春，年少的三人被迫提早面對人生的課題?！ 捌鋵崳以缇拖矚g你，只是不敢告訴你”? 故事線長達10年，懵懂的他們各自把秘密埋在心底，直到真正變成大人的那一天。
月影殺痕
波伊德·霍布魯克,克利歐佩特拉·科爾曼,博基姆·伍德拜因,邁克爾·C·豪爾,魯迪·達馬林加姆,Al Maini,Quincy Kirkwood,莎拉·杜格代爾,瑞秋·凱勒,Ryan Allen,托尼·納波,Philippa Domville,托尼·克雷格,加布里埃爾·格雷厄姆,Julia Knope,默里·弗羅,大衛·麥金尼斯,德爾菲娜·魯塞爾,胡安·卡洛斯·韋利斯,泰德·麥克馬洪,愛德華·倫德爾,妮卡·埃利奧特1988 年，心懷偵探夢想的費城警官托馬斯·洛克哈特（波伊德·霍布魯克飾演）開始追蹤一名連環殺手，此人每隔 9 年就神秘地出現一次。但是當殺手的罪行開始違背所有的科學解釋時，洛克對真相的癡迷可能會毀掉他的事業、家庭，甚至是他的心智?！对掠皻⒑邸肥且徊炕旌项}材的心理驚悚片，探討了時間的力量，以及時間的流逝如何使我們相聚又分開。該片由吉姆·米可執導，其他主演包括邁克爾·C·豪爾和克利歐佩特拉·科爾曼。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
愛爾蘭式告別
米歇爾·費爾利,帕迪·詹金斯,James Martin,謝默斯·奧哈拉Set against the backdrop of a working farm in rural Northern Ireland, 'An Irish Goodbye' is a black comedy following the reunion of estranged brothers Turlough (Seamus O’Hara) and Lorcan (James Martin) following the untimely death of their mother (Michelle Fairley).Under the watchful eye of odd-ball parish priest Father O’Shea (Paddy Jenkins), the brothers’ pained reunion is worsened by the fact Turlough must now make new care arrangements for Lorcan, who has Down Syndrome. But when the brothers discover an unfulfilled bucket list belonging to their late mother, Lorcan senses an opportunity: he’ll only agree to leave the farm once he and Turlough have themselves completed every single wish on their mother’s list…all one-hundred of them.