金發(fā)美女紅絲情趣絲襪愛(ài)了愛(ài)了

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金發(fā)美女紅絲情趣絲襪愛(ài)了愛(ài)了

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金發(fā)美女紅絲情趣絲襪愛(ài)了愛(ài)了

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眨眼之間

凱特·麥克金農(nóng),戴維德·迪格斯,拉什達(dá)·瓊斯,Jorge Vargas,塔娜亞·比蒂,斯凱沃克·休斯,Rhona Rees,Tatyana Rose Baptiste,Nox Watkins,Tyson Night,盧克·羅德里克,安德麗亞·邦,Diana Tsoy,Aria Kim,Yeji Kim,Cameron Roberts,Theodore Starr,卡琳·考諾娃,Gui Fontanezzi,Lydia Campbell

影片通過(guò)跨越數(shù)千年、不同時(shí)空的三條故事線,交織出無(wú)形之中彼此呼應(yīng)的科幻寓言。

通往絞刑架的電梯

讓娜·莫羅,莫里斯·羅內(nèi),喬吉斯·伯喬利,約里·貝爾坦,讓·瓦爾,埃爾加·安德森,西爾維亞娜·艾森施泰因,米舍利娜·博納,吉賽勒·格蘭普雷,Jacqueline Staup,馬塞爾·屈弗利耶,熱拉爾·達(dá)里厄,查爾斯·登納,于貝爾·德尚,雅克·黑林,馬塞爾·喬內(nèi),弗朗索瓦·茹,伊萬(wàn)·彼得羅維奇,費(fèi)利克斯·馬滕,利諾·文圖拉,讓-克洛德·布里亞利

  前傘兵軍官朱里安?塔維尼(Maurice Ronet 飾)退役后在一家軍火公司上班,期間他和老板西蒙?卡瑞拉(Jean Wall 飾)的妻子弗洛倫絲(Jeanne Moreau 飾)陷入熱戀。為了掃清障礙,他和情婦制定了一條看似天衣無(wú)縫的謀殺計(jì)劃。計(jì)劃起初進(jìn)展順利,但在刺殺之后卻因細(xì)微的差錯(cuò)偏離當(dāng)初的設(shè)想,朱里安更被困在大樓的電梯之中。  所謂禍不單行,一對(duì)青年男女偷走了朱里安的車,事態(tài)開(kāi)始朝著混亂的方向發(fā)展……  本片為左岸派元老路易?馬勒的長(zhǎng)片處女作,榮獲1957年路易?德呂克獎(jiǎng)

不干了,我開(kāi)除了黑心公司

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  北川恵海人氣小說(shuō)《不干了,我開(kāi)除了黑心公司》電影化,成島出執(zhí)導(dǎo),福士蒼汰主演,工藤阿須加、黑木華、小池榮子、吉田綱太郎等在片中出演。講述了青山隆在公司被壓迫精神壓力過(guò)大,但被朋友山本的活力感染又恢復(fù)了自信,但隆卻得知真正山本三年前就自殺了……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

毗鄰而居

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  一個(gè)有婚姻危機(jī)的中年男人,某天一個(gè)漂亮的年輕女人和她粗魯?shù)恼煞虬徇M(jìn)了他的隔壁,讓他的生活發(fā)生了翻天覆地的變化......