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劇情提要
陽光普照的波多黎各某處:私人偵探阿爾·佩雷拉遇到了默默無聞、神秘莫測的辛西婭,她答應給他一份有利可圖的工ccc。讓佩雷拉監視一個臭名昭著的商人和政治家名拉莫斯,因為辛西婭認為他在欺騙她。這看起來輕松的工作,卻把他拉進了一場兇殺和外遇。有一天佩雷拉發現拉莫斯已經死了,現在警方已經懷疑是他殺害了這位政治家……
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昏神
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姐妹2026
改編自英國電影《愛麗絲的失蹤》 為了給弟弟的手術費籌錢,海蘭與身為高利貸主的泰秀聯合策劃了一起綁架案,目標就是海蘭同父異母的姐姐素珍。素珍之前并不知道自己還有個妹妹,當身份關系揭曉,綁匪和人質之間變得微妙起來……
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster