美人圖
《美人圖》說的是朝鮮史上有名的女扮男裝天才畫家申潤福的故ccc。申潤福(金敏善飾)的父親將家族的興旺寄予這個可憐的女孩,隱藏其女兒身,改以男兒身打扮亮相,跟隨著當地有的畫家金洪道(金英浩飾)學習,苦學畫技,以賣畫給地主們維持生計。性格粗野的姜武(金南吉飾)是市井青銅鏡商人,一次偶然中發現了申潤福的女人身份,與她相愛,并使潤福認識到身為女人如命運般的愛情。但申潤福的老師金洪道與徒弟之間也有一種奇妙的感情,他不容許潤福背叛自己,千方百計阻止潤福和姜武。而名妓雪花(秋瓷炫飾)則深愛著金洪道。四個人將會走向何處?申潤福和姜武能守護住自己的愛情嗎?申潤福的女子身份會被揭露嗎?最終她是否能改變自己的一生,成為朝鮮知名畫家?
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KING OF PRISM -Your Endless Call- 大~家一起閃耀!PRISM☆TOURS
寺島惇太,齊藤壯馬,畠中祐,八代拓,五十嵐雅,永冢拓馬,內田雄馬,蒼井翔太,武內駿輔,杉田智和,柿原徹也,前野智昭,增田俊樹,三木真一郎,關俊彥,森久保祥太郎,浪川大輔,中山咲月,山下誠一郎,小林龍之,土田玲央,河合健太郎,鵜澤正太郎,橘龍丸,浦田涉,天月,梶原岳人,田丸篤志,近藤隆,大橋賢一郎,岡本信彥亂馬OVA特別篇無差別格斗對鳳凰
山口勝平,林原惠美,日高范子,高山南,井上喜久子鏡中人
英迪婭·埃斯利,詹森·艾薩克,佩內洛普·米契爾,米拉·索維諾,哈里森·吉爾伯特森,克里斯汀·哈里斯,亞當·哈蒂格,康納·彼得森,辛蒂·邁斯科77號頂層公寓
芭比·福特薩,Euwenn Mikaell,JC·阿爾坎塔拉,羅桑娜·羅瑟斯,Jackie Lou Blanco,卡洛斯·西古伊納-瑞納,吉娜·帕雷諾,Chrome Cosio我的阿米什人雙重生活
萊克西·邁恩特里,萊薩·威爾遜,Rachel Coopes柏蒂娜的苦淚
瑪吉特·卡斯滕森,漢娜·許古拉,卡特琳·沙克,埃娃·馬特斯,吉塞拉·法克爾代,伊爾姆·赫爾曼同類推薦
極惡原色:黑暗謎鎮
雅各布·蓋爾沙烏調查偏遠波蘭小鎮兒童失蹤案時,檢察官利奧波德·比爾斯基必須抓緊時間揭開當地的一個險惡傳說背后的謎團,以免為時過晚。
夢起云上
劉承林,李寶安,潘悅八百里關中平原,一起商販和果農的收購沖突事件,促使兩個在外打拼的年輕人走在了一起,是素未蒙面的陌生人也是創業合作的歡喜冤家。在互聯網電商直播的浪潮下,他們和心懷希望的村民們擦出了神奇的火花,一起開啟了一段瘋狂的嘗試與冒險,踏上了共同致富的曼妙旅程。
另一個地球
威廉·麥鮑瑟,布里特·馬靈,馬修-李·埃爾巴赫,DJ Flava,Meggan Lennon,AJ Diana,Bruce Colbert,Paul Mezey,Ana Valle,Jeffrey Goldenberg,Joseph A. Bove,Jordan Baker,Flint Beverage,Robin Taylor,魯伯特·雷德在一個平靜的夜晚,一輛飛馳而來的汽車,撞碎了音樂教授約翰(威廉·麥鮑瑟 William Mapother 飾)的幸福生活,他的妻女以及美好的人生都被尚未成年的少女羅娜(布里特·馬靈 Brit Marling 飾)奪去。這起事故,也讓羅娜的心靈蒙受巨大打擊。罪惡感讓她過著最底層的生活,卻始終逃脫不掉靈魂的譴責。偶然機會,她重逢約翰,并以清潔人員的名義走進約翰潦倒無望的生活。在一段時間相處過后,他們漸漸溫暖了彼此漫布創痕的心。與此同時,人類發現了一顆與地球極為相似的行星,而那里似乎也住著人類另一個自己。這是希望,還是美好的夢想? 本片榮獲2011年圣丹斯電影節評委會特別獎。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
棋盤上的向日葵電影版
坂口健太郎,渡邊謙,佐佐木藏之介,土屋太鳳,高杉真宙,音尾琢真,柄本明,渡邊一計,尾上右近,木村多江,小日向文世改編自柚月裕子撰寫的同名小說,講述山中發現一具尸體,線索是將棋子,且是這個世界上僅存七枚的棋子。嫌疑人指向了上條圭介,一個突然出現在將棋界的天才,他在壓倒職業將棋手后成為了風云人物。 在調查過程中,一個以賭棋為生的江湖人物東明重慶浮出水面,圭介神秘的成長經歷也最終被揭開。那是難以想象的殘酷歷程……