學(xué)生眼中的女老師2

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　末日喪鐘再度敲響，帶領(lǐng)觀眾直視人性毀滅的煉獄，感染者的威脅和幸存人類的邪惡。

　　Fackham Hall 對傳統(tǒng)的時(shí)期劇如《唐頓莊園》和《高斯福德莊園》進(jìn)行戲謔。這部作品被形容為“延續(xù)了《裸槍》系列和《空前絕后滿天飛》等經(jīng)典笑料不斷的惡搞喜劇的傳統(tǒng)”。　　費(fèi)恩斯·提芬將飾演一名新來的搬運(yùn)工，他與英國一個(gè)顯赫家族的小女兒（麥肯齊）展開了一段出人意料的關(guān)系。同時(shí)，達(dá)文波特家族內(nèi)部矛盾不斷爆發(fā)，由達(dá)文波特勛爵和勛爵夫人（沃特斯頓）領(lǐng)導(dǎo)的家族還要面對長女（萊爾德）和她不靠譜的堂弟婚禮慘敗的巨大尷尬。

 20世紀(jì)70年代初的北京，忙著“鬧革命”大人無空理會(huì)小孩，加上學(xué)校停課無事可做，以軍隊(duì)大院男孩為突出代表的少年人便自找樂子，靠起哄、打架、鬧事、拍婆子等方式揮霍過量的荷爾蒙。馬小軍（夏雨 飾）就是這樣的少年，他的嗜好之一是趁別人家無人用萬能鑰匙將其鎖打開，溜進(jìn)去耍玩一番，正是用這樣的方式，少女米蘭（寧靜 飾）的照片先于其人入了馬小軍的雙眼。通過院里的“頭兒”劉憶苦（耿樂 飾），馬小軍又見到之前在炮局偶然瞥見過一眼的米蘭，開始正式將其當(dāng)作夢中情人，然而在米蘭眼中，馬小軍不過是毛孩一個(gè)，她中意的人是成熟、穩(wěn)重、帥氣的劉憶苦。自此，馬小軍迎來五味混雜的青春期生活。本片改編自王朔短篇小說《動(dòng)物兇猛》。夏雨憑此片獲得第51屆威尼斯國際電影節(jié)最佳男演員（銀獅獎(jiǎng)）。