滿屋子都是栗子花的味道:親愛的,別站在那里了

7.3 播放:75萬 2026-06-13
主演: 未知/

明里過著甜蜜的新婚生艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。她唯一的抱怨是,由于丈夫性欲旺盛,她很難做其他事情。被愛是件好事,但同時(shí)也令人沮喪,因?yàn)闊o論我做什么,最終都會(huì)以性為結(jié)局。讓我們來看看一對(duì)新婚夫婦從早到晚的生活

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殺出魔鬼鎮(zhèn)

丹尼斯·歐哈拉,艾狄森·蒂姆林,蓋瑞·科爾,斯賓塞·崔特·克拉克,喬舒華·萊納德,維羅尼卡·卡維特,愛德華·赫曼,約翰·威斯利·查特曼,埃德·勞特爾,阿拉貝拉·菲爾德,蘭斯·E·尼克爾斯,斯塔萊特·米亞里奧尼,Morganna May,Dodie Brown,Raiden Integra

  美聯(lián)社、《生活》雜志等著名媒體都曾報(bào)道過1964年的“月光兇殺案”,當(dāng)時(shí)小鎮(zhèn)墜入一片恐慌,一到黃昏就全鎮(zhèn)戒嚴(yán),全副武裝的警察上街巡邏。直到三個(gè)月再無襲擊發(fā)生,警察才逐漸撤出。1976年,曾有一部根據(jù)該案件改編的同名影片上映。兩名幸存者描述兇手有六英尺高,頭戴面具,只露出眼睛和嘴巴?! ?014年版《殺出魔鬼鎮(zhèn)》中,連環(huán)兇殺再度開始,面具殺手時(shí)隔六十多年重現(xiàn)特克薩卡納,究竟是有人故意模仿,還是有更恐怖的事情暗中醞釀?一個(gè)孤獨(dú)的高中女生,似乎知曉解開這一切的秘密。

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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

弗拉維亞

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 1951年,英國(guó)鄉(xiāng)村邊緣,德盧斯家族的莊園已在歲月中斑駁頹敗。11歲的弗拉維亞·德盧斯,是家族里最離經(jīng)叛道的孩子——她癡迷化學(xué),尤其精通毒藥,更有著超越年齡的偵探天賦。當(dāng)一具陌生尸體出現(xiàn)在莊園的庭院中,她的父親哈維蘭上校成了警方的頭號(hào)嫌疑人。為了洗刷父親的冤屈,弗拉維亞拿起放大鏡與化學(xué)試劑,在老宅的藏書室、實(shí)驗(yàn)室與莊園的隱秘角落中展開調(diào)查。她周旋于警探、古怪的家族成員與小鎮(zhèn)居民之間,在層層迷霧中探尋真相,而隨著調(diào)查深入,她也逐漸揭開了家族隱藏多年的秘密。

藍(lán)調(diào)之歌

休·杰克曼,凱特·哈德森,邁克爾·因佩里奧利,費(fèi)舍·史蒂芬斯,詹姆斯·貝魯什,艾拉·安德森,金·普安公主,穆斯塔法·沙基爾,Bob Roseman,杰森·華納·史密斯,羅伯特·約翰·加拉格爾,Eva Kaminsky,Beth Malone,馬特·戈?duì)査够?Sean Allan Krill,T. Oliver Reid,Tom O'Keefe,鮑里斯·倫敦,Johnny Olmez,Faye Tamasa

  影片改編自真實(shí)故事,講述兩名時(shí)運(yùn)不佳的音樂人(休·杰克曼與凱特·哈德森 飾)組成一支充滿歡樂氣氛的尼爾·戴門致敬樂團(tuán),證明了尋找愛情和追逐夢(mèng)想永遠(yuǎn)不會(huì)太晚。

我當(dāng)你兄弟

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兩個(gè)黑幫大佬和他心愛的女人,度過人生中最玩命的一夜求生戰(zhàn)。一部“時(shí)光機(jī)”的出現(xiàn),令這一夜瞬間變成時(shí)空錯(cuò)亂的鬧劇……

黑暗深處

塞繆爾·勒·比漢,阿米爾·艾爾凱塞,讓-雨果·安格拉德,托馬·索利韋爾,迭戈·馬丁,布魯諾·桑切斯,馬克·里索,安托萬·巴斯勒,Wabinlé Nabié,Rachid Guellaz,Mohamed Aroussi,米卡埃爾·菲圖西,Arthur Guivarch,Carl Laforêt,Yves Turi,菲利普·托雷頓

 菜鳥上班第一天就聽到老鳥說,最近礦場(chǎng)有人失蹤或重傷。礦場(chǎng)老板告訴他們,只要查明真相愿意給予豐厚賞金。在來到事發(fā)礦區(qū)后,他們卻看到白骨與干枯血跡。嚇得一群人試圖回到地面,卻發(fā)現(xiàn)入口意外被堵死,同伴還被嗜血怪物襲擊。漆黑的地下,怪物在身后逼近,他們能否就此逃脫,誘惑是成為怪物口中的佳肴?