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夏日躁動
Fanta Kebe,希雷爾·納塔夫,艾蜜兒·班特,伊迪爾·阿祖格利,Yuming Hey,蘇贊妮·德芭奎,Zakaria-Tayeb Lazab,Mouctar Diawara,Nicola Bulatovic,Mohamed Dramé,Yassine Mahavita,Aymane Mazit,Djibril Diamoye,Nour Lajiri,Fatoumata Koné,Lilya Jabelmeki,Mariam Diamoye,Cynthia Hounkpati,Zeinab Karam在巴黎第19區的一個工人街區,19歲的莎伊和杰內巴是從小一起長大的好姐妹。一個被令人窒息的家庭所困擾,另一個則深陷孤獨的泥沼。某個夏天,她們遠離成長的高樓陰影,成為夏令營的輔導員,負責照看一群6到10歲的孩子。站在成年的門檻上,她們必須做出選擇,在成長中重新定義彼此的友誼。
芭比之皇室搖滾
凱莉·謝里丹,恰拉·贊尼,艾德里安·佩特里夏日的皇家訓練營即將開始了,侯特妮公主來到了集中點。可是,即使到了開船時間,侯特妮依然沒有聽到自己的名字,這究竟是怎么了?這時,侯特妮突然聽到了自己的名字,不過卻是搖滾訓練營……
雛菊1966
雅羅斯拉夫·庫切拉,伊萬娜·卡爾班諾娃,埃斯特爾·克倫巴赫喬娃,伊特卡·采爾霍娃,Marie Cesková,Jirina Myskova,Marcela Brezinová,Julius Albert,Oldrich Hora,Jan Klusák,Václav Chochola,Josef Konícek,Jaromír Vomácka,Miroslava Babúrková,J. Bartos,Oldrich Basus,Jirina Cesková影片開始于兩個都叫瑪麗的少女(Jitka Cerhová 和 Ivana Karbanová 飾)的對話:沒有人理解我們,這個世界上的一切正在變得越來越糟糕。于是兩人決定:我們也要變得越來越壞!瑪麗一號喜歡和老男人約會,在他們吃飯的時候,瑪麗二號會突然出現,旁若無人地大吃特吃。瑪麗一號把老男人送上火車,老男人以為她會陪著他,火車開動,她卻下了火車。瑪麗二號在一個收藏蝴蝶標本的男青年家中,用他的標本遮住自己身體的隱秘部位。她們在夜總會里搗亂,最后被趕走。她們無意中闖入一個沒有人的宴會,開始肆無忌憚地享受美食.....本片獻給精神生活一團糟的人們。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
我們的天空,我們的河
Mahmoud Abu Abbas,Myriam Abbas,達麗娜·阿爾·喬迪,Sami Al-Ali,Labwa Arab,Basim Hajar,Amed Hashimi,Muslem Hassoun,扎伊納布·約達,Ali Kareem,Zaydun Khalaf,Kholod Mohamad,Suzan Muneam,Siham Mustafa,Badia Obaid,Kamaran Raoof,Karam Thamir...
黎明殺祭
Sylwia Boron,Monika Frajczyk,Adam Machalica,Piotr Nerlewski,盧卡什·什切帕諾夫斯基,巴特羅米耶·托帕,Paulina Zwierz暴風雪肆虐的圣誕夜,一群年輕演員受邀前往神秘的海森霍夫家族經營的巴洛克劇院,排演那位隱居劇作家的巔峰之作。隨著一名戴著“眼球面具”的殺手現身,排練演變為慘烈的生存競賽。演員們后知后覺地發現,劇本中的每一幕死亡,都是一場旨在召喚反基督者的古老儀式。