性愛龍卷風：撕裂的欲望

評分：3.7 播放：59萬 更新：2026-06-07
主演： 加藤義一/

在公關公司上班的OL春美談起了社內戀愛，男友是同家公司的同事永田。就在春美接受永田的求婚后不久，她被上司指派執行一項企畫案，這也是她首度在工作上獨挑大樑。因為工作和婚禮重疊而蠟燭兩頭燒的春美，這天她與...

影片推薦

同類精選

影視排行

清算

高捷,姜皓文,侯桐江,湛佳明 Jiaming Zhan,張榮祥 Cheung Wing-Cheung,屈剛,張媛鈺,賈天明,景樂,韓則怡 Zeyi Han,武岳 Yue Wu,張懷公,洪子龍 Zilong Hong,劉浩嵐 Haolan Liu,劉開心 Kaixin Liu

　　黃浦江畔，殺機四伏，規則是否能由“她”重寫？刀光里是黑幫的血腥，陰影下是性別枷鎖的崩裂——多年銀幕未見之大女主暴力爽片。　　臥龍幫少主武青青，家族遭戮，自身遭叛，從獵物化身獵手；她隱于暗處，每一張笑臉背后，都可能藏著致命的匕首，日本商會登堂入室，內鬼隱匿于至親之間，無間道中再掀無間，信任是奢侈品，每一步都是懸崖！她將如何撕下那一張張虛偽面具？奸，是叛幫之徒，是入侵之敵，還是枕邊之人？　　風暴已至，“除奸”成為唯一信條……

煙花1995

山崎裕太,奧菜惠,反田孝幸,蘭迪·黑文斯,小橋賢兒,櫻木研仁,麻木久仁子,光石研,小山勵基,山崎一,深浦加奈子,田口智朗,石井苗子,酒井敏也,蛭子能收,中島陽子

 小學生典道（山崎裕太）與佑價（反田孝幸）等同伴們就煙花升騰而起時是扁是圓展開爭論，無果后，眾人困惑起來，為了將困惑解決，他們決定趁夏季花火大會的機會去燃放煙花的燈塔上一探究竟。典道和佑價同時暗戀的同學，早熟的少女奈砂（奧菜惠）因為父母離異懷起心事。一場在典道和佑價之間進行的五十米游泳比賽結束后，奈砂單約勝利者佑價陪她去看煙花，不想對方最終決定同大伙一起去燈塔。奈砂最終拉上比賽失敗的典道上路，目的地卻變成了火車站甚至更遠的東京。

孤獨的美食家 2025除夕特別篇

松重豐

　　這是系列節目迎來第9年！2025年的跨年夜直播，將時隔5年再次恢復部分現場直播！　　倒計時迫近，今年五郎依舊面臨“黃燈警報”！在跨年活動中要分發的某種食材，今年又落在五郎頭上（嚴格來說是被強行要求）。他將帶著自己那位小小的伙伴，奔走整個東日本。年末已經成為傳統的這場奇妙旅程，今年又會在怎樣的土地上，遇見怎樣至高無上的美食呢？而五郎能否趕上2025年壓軸的大型活動？請拭目以待！

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster