輕輕揉下半身的20歲性愛搭檔

★ 3.4 播放：62萬 更新：2026-06-09
主演： 未知/

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銀河特急Milky?Subway各站停車前往劇場

銀河道路交通法違反で逮捕された強化人間のチハルとサイボーグのマキナ。 　　同じタイミングで警察に捕まった、強化人間のアカネとカナタ、サイボーグのカートとマックスらクセのあるコンビを集め、警察官?リョーコが全員に課したのは、奉仕活動として惑星間走行列車?通稱”ミルキー☆サブウェイ”の清掃をすること。 　　簡単な任務だったはずが、突如暴走し始める”ミルキー☆サブウェイ”！ 　　車內(nèi)で慌てふためくメンバーたち。リョーコも同僚のアサミとともに解決に向けてあれこれするが、やがて一行は大事件に巻き込まれていくことに……！

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster