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冬脊
馬特·霍金斯,奧爾雯·凱瑟琳·凱莉,漢娜·沃丁厄姆一名年輕的偵探在他的妻子昏迷不醒的同時還在追捕一個連環(huán)殺手后被撕裂。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
復(fù)仇女孩
貝拉·索恩,米基·洛克,切德·弗斯特,Glen Gould,蘭內(nèi)特·瓦雷女兒為父親復(fù)仇的故事。講述女主回到家鄉(xiāng)探望她的父親，卻發(fā)現(xiàn)他在小屋里遭受了酷刑和謀殺。在尋找答案的過程中，她遇到了陰險的治安官和其兄弟，發(fā)現(xiàn)了比她想象中更令人不安的家庭遺產(chǎn)。
青空在上，身在山谷
Michal Zachensky,Eva Mores,Jana Olhová,Adam Suniar,Attila Mokos本片是斯洛伐克導(dǎo)演卡塔琳娜·格拉瑪托娃的長片首作，帶有半自傳色彩。15歲的少年埃諾和祖母在烏特奇卡的村子里過暑假，他喜歡摩托，無心學(xué)業(yè)，每天和村子里的男孩們混在一起。埃諾十分崇拜在外工作的母親，內(nèi)心希望能和她一起生活，但隨著村子里流言四起，埃諾漸漸發(fā)現(xiàn)，母親并不如想象中那樣善良，而成長也總是伴隨著痛苦和掙扎。
洛奇
西爾維斯特·史泰龍,塔莉婭·夏爾,伯特·楊,卡爾·韋瑟斯,布吉斯·梅迪斯洛基?巴爾博厄(西爾維斯特?史泰龍 Sylvester Stallone 飾)是費城的過氣拳擊手。他空有拳擊熱忱，卻只混雜于三流拳擊賽中。一天，他對售貨員艾黛麗安（塔里亞?希雷Talia Shire 飾）一見傾心，雖然這個姑娘長相一般，性格內(nèi)向，卻毫不阻礙洛奇對她愛得熾熱。愛情得意，事業(yè)也開始一路暢通。為了慶祝美國建國200周年，當(dāng)?shù)嘏e辦了一個拳擊比賽，勝出者將獲得15萬美元的高額獎金。美國一個拳擊巨星在比賽中受了傷，主辦方選中了洛奇去上演一場“灰姑娘”式的比賽，大敵當(dāng)前的同時，也是洛奇事業(yè)轉(zhuǎn)機、大顯身手的良機。洛奇在賽場上苦撐15回合，在面腫血流之際，會不會有奇跡的發(fā)生？
籠困
Arié Elmaleh,Zoé Félix,Goran Kostic20年前，社會主義國家南斯拉夫解體，奉行主義的更迭并未改變東歐這片多災(zāi)多難土地的命運。戰(zhàn)火持續(xù)，人民罹難。時至今日，硝煙仍未從這里散去。卡蘿爾（祖兒·費利克斯 Zoé Félix 飾）、馬提亞（埃瑞克·薩文 Eric Savin 飾）、薩米爾（Arié Elmaleh 飾）是來自法國的救援小組成員。在完成任務(wù)后，他們驅(qū)車返回祖國。然而必經(jīng)之路上有士兵把守，為了不浪費時間，薩米爾建議抄小路前進。這一決定將他們引入一條黑暗之途，行至半路，三人被一群全副武裝的不明身份者綁架。在此后的數(shù)日內(nèi)，他們?nèi)魂P(guān)在不見天日的籠子里。 對于對方的動機卡蘿爾他們?nèi)徊恢挥袩o盡的恐懼伴隨左右，而死神的腳步也在慢慢逼近……