即刻觀影
劇情賞析
編輯推薦
超越鼓丘
邁克爾·科瓦爾斯基,Morgan DeTogne,Daniel Titmuss,Emma Jessop樹(shù)葉已經(jīng)開(kāi)始變了，但喬納森·魯斯特教授對(duì)即將到來(lái)的學(xué)期仍然準(zhǔn)備不足。本周末，他正在為考古系的野外工作課程尋找合適的地點(diǎn)。在同行學(xué)者和雇工的幫助下，該團(tuán)隊(duì)在拂曉時(shí)分出發(fā)。這次旅行為喬納森提供了一個(gè)難得的機(jī)會(huì)，讓他親自動(dòng)手，成功可能意味著出版，也可能意味著終身教職。當(dāng)一名助教神秘失蹤時(shí)，探險(xiǎn)隊(duì)很快就脫軌了。很快，這群人發(fā)現(xiàn)自己處于現(xiàn)實(shí)和來(lái)世的交匯處，陷入了令人難忘的瘋狂之中。
靈魂密室
Katherine McNamara,Dove Cameron,Braeden Lemasters,Ryan McCartan,Tiffany Espensen一位邪惡的馬戲團(tuán)老板在幾位高中生的小鎮(zhèn)上演“鬼屋”，他們必須抗拒他的魔咒。
未來(lái)之心
喬新峰,曹艷,張恩碩,張德暉,宮蘇紋余書(shū)(喬新峰飾演)與梁瀾(曹燕飾演)夫婦研發(fā)了革命性AI“超心智腦”，旨在復(fù)原古生物生態(tài)。因兒子(張恩碩飾演)重病急需資金，二人分道揚(yáng)鑣：梁瀾與投資人何叔(張德暉飾演)合作，將AI用于建造賽博機(jī)械樂(lè)園；余書(shū)則攜子離開(kāi)，堅(jiān)信技術(shù)不應(yīng)淪為娛樂(lè)工具。多年后為救子，余書(shū)登島交出原始代碼。不料程序遭竊，機(jī)械巨獸失控暴走。危機(jī)關(guān)頭，何叔犧牲自我換取生機(jī)，余書(shū)夫婦最終聯(lián)手重啟初代代碼，關(guān)閉系統(tǒng)，阻止災(zāi)難。離島后，他們發(fā)現(xiàn)何叔留下的代碼備份與醫(yī)療資源。兒子康復(fù)后，將這段經(jīng)歷寫(xiě)成小說(shuō)《未來(lái)之心》，見(jiàn)證科技、人性與愛(ài)的交織。
誤入魔爪
Jordyn Rudolph,Brad Bell,Ryan Rudolph四名青少年在一次公路旅行中決定繞道而行，發(fā)現(xiàn)自己在肯塔基南部森林深處的鬼屋“萬(wàn)圣節(jié)尖叫公園”。在目睹了各種各樣的折磨和gore之后，他們開(kāi)始懷疑自己經(jīng)歷的事情是否有點(diǎn)太現(xiàn)實(shí)了。在他們知道之前，他們中的每一個(gè)人都被俘虜了，并成為他們?cè)菊J(rèn)為可怕的樂(lè)趣和游戲的一部分…
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
無(wú)法在你的臉上哭泣
芳根京子,高橋海人,西川愛(ài)莉,武市尚士,中澤元紀(jì),前原滉,林裕太,大塚寧寧,赤堀雅秋,片岡禮子,山中崇本片改編自同名小說(shuō)，故事始于高一夏天，坂平陸（高橋海人 飾）與水村真奈美（芳根京子 飾）在泳池事故后靈魂互換。兩人堅(jiān)信能恢復(fù)原狀，苦尋方法，然而15年過(guò)去，依舊未能換回。升學(xué)、初戀、就業(yè)、結(jié)婚、生子，他們只能以彼此的身體走完人生重大節(jié)點(diǎn)。直到30歲那年夏天，真奈美突然說(shuō)：“我或許知道怎么換回來(lái)了。”命運(yùn)的齒輪，開(kāi)始再次轉(zhuǎn)動(dòng)——