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異形怪胎 2
Michele Greene,Robin Curtis,Scott Valentine圣母瑪利亞
安妮·海瑟薇,米凱拉·科爾,亨特·莎弗,小枝女孩,雅典娜·弗里澤爾,凱雅·基伯,杰西卡·布朗·芬德利,伊紹拉·巴貝-布朗,阿爾芭·巴普蒂斯塔,茜安·克利福德,帕里納斯·埃斯梅爾薩德,勞拉·米金,朱莉婭·斯托爾巴,丹尼·維塔勒校園鬼降瘋
Liyana Jasmay三十一
伊麗莎白·戴利,雪莉·穆恩·贊比,丹尼爾·洛巴克,勞倫斯·希爾頓-雅各布斯為了所有的女孩
埃里卡·韋塞爾斯,Hlubi Mboya,Leshego Molokwane,Nomvelo Makhanya,德翁·洛茨,莫蘇西·麥格諾,Brendon Daniels,J.P. du Plessis,Lizz Meiring,Rafiq Jajbhay,Masasa Mbangeni,本·克魯格,Tamarin du Toit,Marcus Mabusela,Cindy Swanepoel,馬特·斯特恩大佛回國
Philip Granger,Toshi Toda,寶田明,森田友希,Shelley Sweeney,久保明,Peggy Neal,Robert Scott Field,螢雪次朗,Francisco de Borja De la Bella,小林夕岐子,Inge Murata,Yoshiro Uchida,Ippei ?sako,Norman England同類推薦
鬼們之蝴蝶大廈
尹馨,曹佑寧,馮淬帆,白潤音,蔡振南,莊凱勛,安心亞,曾莞婷陳薇(尹馨 飾)帶著女兒(林采潔 飾)為躲避家暴的丈夫住進有自殺勝地之稱的蝴蝶大廈后怪事頻傳。管理員梁伯(馮淬帆 飾)和頂樓的廟公山叔(蔡振南 飾)不斷提醒她這一層樓不太干凈,如果有能力還是盡快搬走,但是經濟拮據的她暫時只能棲身于此。各種三教九流的鄰居、雜貨鋪有陰陽眼的自閉癥男孩阿弟(白潤音 飾),還有那間被再三交代禁止靠近的613號房,一切都令陳薇感到詭異莫名。外表陽光的代班管理員小梁(曹佑寧 飾)對獨立堅強的陳薇照顧有加,經常借故上門幫忙維修家電,陳薇女兒看到他來也會難得露出微笑。正值鬼門開時,蝴蝶大廈內意外頻傳,甚至發生許多靈異事件,但老住戶們似乎已經習以為常。陳薇原本是想帶女兒逃離丈夫,不料卻將自己卷入更大危機之中...
不倫之戀
帕特里克·迪瓦爾,阿里爾·貝西,莫里斯·羅內,杰納維夫·馬尼奇,莫里斯里什,瑪莎·梅赫勒,羅絲·蒂埃里,Michel Berto,亨利-雅克·于埃,雅克·里斯帕爾,納塔莉·貝伊,妮可·加西亞,Alan Adair,莫里斯·比羅,皮埃爾·科索,伊維斯·皮尼奧,Joseph Michael Roth,Max Vialle對于音樂家雷米(帕特里克·迪瓦爾 Patrick Dewaere 飾)來說,日子變得越來越不好過,不僅僅是職業上的停滯不前,妻子一成不變的容顏和乏味的婚姻生活也讓他幾近抓狂。就在這個節骨眼上,妻子車禍身亡的消息讓雷米感到震驚卻又有一絲解脫,而妻子留下的14歲的繼女瑪麗安(阿里爾·貝西 Ariel Besse 飾)也成為了一個包袱。瑪麗安的生父想奪回瑪麗安的撫養權,沒想到,小小的瑪麗安卻更愿意和繼父生活在一起。同一屋檐下,這對沒有血緣關系的“父女”之間的情感變得朦朧而又曖昧。對于瑪麗安的火熱表白,雷米從最初的果斷拒絕到之后的欲拒還迎,他能否守住倫理道德的最后一條底線呢?
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
與祖國同在
諾埃爾·考沃德,約翰·米爾斯,伯納德·邁爾斯,西莉亞·約翰遜,凱·沃爾什,喬伊絲·凱里,德里克·艾爾菲斯通,邁克·懷爾登,Robert Sansom,菲利普·佛倫德,Chimmo Branson,巴拉德伯克利,Hubert Gregg,詹姆斯·唐納德,邁克爾·惠特克,Kenneth Carten,約翰·瓦利,Caven Watson,杰弗里·希伯特,弗雷德里克·派珀,萊斯利·德懷爾,John Singer,John Boxer,約翰尼·斯科菲爾德,沃爾特·菲茨杰拉德,杰拉爾德·凱斯,丹尼爾·梅西,Ann故事發生在一艘名為“托林號”的英國皇家海軍驅逐艦上,在一場激烈的海戰中,該驅逐艦擊落了多駕敵機,創下了赫赫戰功,但它也因為拼搏在戰斗的第一線而傷痕累累,最終中彈起火。在艦長金洛斯(諾埃爾·考沃德 Noel Coward 飾)的要求之下,船員們放棄了托林號,塔上了救生艇,其中包括軍士長沃爾特哈迪(伯納德·邁爾斯 Bernard Miles 飾)和新兵肖蒂(約翰·米爾斯 John Mills 飾)等人。一行人在海上艱難漂泊,全憑意志和對家人的思念才勉強幸存,最終被一艘英國軍艦救起,獲救之時,剛開始浩浩蕩蕩的240名官兵,僅剩下19人。
即興謀殺
李庚希,鄧家佳,劉奕鐵,黃曉明,岳佳頤,趙胤胤,楊皓宇,宗俊濤,呂鑫,龔毅星,于晞悅神秘孤島上只有一座何家古堡,以前死過很多人。半癱少女何思怡(李庚希 飾)離家17年后歸來,父親卻離奇失蹤,迎接她的是美艷溫柔的繼母(鄧家佳 飾)、風度翩翩的私人醫生(黃曉明 飾)、年輕健碩的司機(劉奕鐵 飾)和萬般貼心的女傭等人。這一切看似平靜,但不時響起的古怪聲音,似有若無的血腥氣味,似乎都藏著這座古堡不可言說的秘密,一步步將這家人 拖入萬劫不復的深淵,一場蓄謀已久的復仇大戲漸漸拉開帷幕……