你愛的時(shí)候和被愛的時(shí)候
佑子（江澤翠）は、田舎で認(rèn)知癥の父の世話をしながら働く平凡な事務(wù)艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。だが彼女には「魔法使いゆこりん」としてブログを書くもうひとつの顔があり、その更新だけが日常から離れられる瞬間だった。一方、職にあぶれて帰省中の妹?菜緒（晶エリー）は露出プレイで學(xué)校教師との不倫を続けていたが、何者かに行為中の寫真をネットにばら撒かれてしまう。妹を助けるため、佑子は犯人と思しき人物に會(huì)いに行くが、石井と名乗るその男（河合龍之介）は、交換條件をつきつけてきた。石井に命令されるがままに野外で下著を脫いだ淫らなポーズの寫真を撮られる佑子。最初は嫌がっていたが、いつしかそれに快楽を感じ始め、カラダと共に心も解放されていく…。
即刻觀影
劇情賞析
編輯推薦
奧利維婭與云
Olga Valdez,Héctor Aníbal,Elsa Nú?ez,Dominique Goris,Fery CorderoOlivia and The Clouds explores love's complexities through a Rashomon effect. Olivia, haunted by a past love, hides it under her bed. She trades flowers with this ghost in exchange for comforting rain clouds.
沼澤怪物2
路易斯·喬丹,海瑟·洛克萊爾,莎拉·道格拉斯,迪克杜洛克一生化公司在沼澤地做各種人體實(shí)驗(yàn)，當(dāng)年被化學(xué)感染的博士住在此處伸張正義！
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
看不見的他們
和佳蓉,毛凡,陳曉霞,孫盈藝,蘇俊宇一場(chǎng)車禍后，林月家里怪事連連，全身冰冷的姐姐，鏡子里看不見家人的身影，黑夜里爸爸窺探的雙眼，每天凌晨閣樓傳來的彈珠聲，林月循聲而上，當(dāng)閣樓的門被打開，卻發(fā)現(xiàn)里面緊鎖的卻是自己的遺像……
我丈夫的七個(gè)妻子
K.J. Baker,Cat Borovicka,Kylie Delre,Bryan Frank瑪吉驚訝地發(fā)現(xiàn)一名自稱已與丈夫艾倫結(jié)婚的女子。起初是對(duì)手，但他們很快就發(fā)現(xiàn)了圍繞艾倫和他之前欺騙的許多妻子的謊言網(wǎng)。
我住在凡爾賽的日子2025
Nina Perez-Malartre,Emi Lucas-Viguier,Malcolm Vallet,安娜·阿爾瓦羅,席琳·榮特,雅各布·韋伯,阿麗亞娜·阿斯卡里德,蒂埃里·萊爾米特,安托萬·賴納茨,Renan Cros,Julien Sibre,Oussouby-Junior Fofana,Madoussou Camara,Jaynelia Coadou,瑪佳麗·羅森茨威格故事圍繞著八歲的維奧麗特展開。在父母離世后，她搬到了脾氣暴躁的舅舅雷吉斯家中生活。雷吉斯是凡爾賽宮的一名維修工人。他們一起度過了人生中的種種難關(guān)，在凡爾賽宮的歷史背景下建立了深厚的感情。