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小說《ハイスクールD×DDX》第1卷BD限定版收錄海外影視
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解放3：主攻方向
米哈伊爾·諾日金,尼古拉·奧拉寧,米哈伊爾·烏里揚(yáng)諾夫,拉里莎·戈盧布金娜,Bukhuti Zakariadze,瓦西里·舒克申,尼古拉·雷布尼科夫,弗拉季斯拉夫·斯特爾熱利奇克,Yevgeni Burenkov,阿納托利·羅馬申,彼得·謝爾巴科夫,伊萬·彼列維捷夫,弗拉德連·達(dá)維多夫,謝爾蓋·哈欽科,德米特里·弗蘭科,T?nu Aav,Fred Alexander,Ingrid Andrina,維克多·阿夫久什科,Iren Azer,Viktor Bajkov,Martha Beschort-Diez,為紀(jì)念蘇聯(lián)衛(wèi)國戰(zhàn)爭30周年，前蘇聯(lián)莫斯科電影制片廠于1970—1972年，拍攝了一部堪稱前蘇聯(lián)電影史上耗資最巨、規(guī)模最大、場面最為壯觀的戰(zhàn)爭題材影片———《解放》。影片從1943年蘇聯(lián)紅軍反攻（庫爾斯克戰(zhàn)役）開始，到強(qiáng)渡涅伯河，解放基輔，最后攻克柏林。分為五集，片長將近8個(gè)小時(shí)。導(dǎo)演尤里·奧澤洛夫?yàn)閺?qiáng)調(diào)“紀(jì)實(shí)性”、“史詩性”，在影片中穿插了大量的真實(shí)歷史文獻(xiàn)鏡頭。影片還出現(xiàn)了不少歷史人物，如斯大林、朱可夫、羅斯福、丘吉爾、希特勒、墨索里尼等。此外，影片還蘊(yùn)涵豐富感人的故事情節(jié)，從蘇、德兩軍統(tǒng)帥到普通士兵，從蘇軍反攻到德軍覆沒，成功地表現(xiàn)了一種攻無不克、戰(zhàn)無不勝的革命樂觀主義精神。
黎明殺祭
Sylwia Boron,Monika Frajczyk,Adam Machalica,Piotr Nerlewski,盧卡什·什切帕諾夫斯基,巴特羅米耶·托帕,Paulina Zwierz暴風(fēng)雪肆虐的圣誕夜，一群年輕演員受邀前往神秘的海森霍夫家族經(jīng)營的巴洛克劇院，排演那位隱居劇作家的巔峰之作。隨著一名戴著“眼球面具”的殺手現(xiàn)身，排練演變?yōu)閼K烈的生存競賽。演員們后知后覺地發(fā)現(xiàn)，劇本中的每一幕死亡，都是一場旨在召喚反基督者的古老儀式。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
密室逃生
泰勒·拉塞爾,洛根·米勒,黛博拉·安沃爾,泰勒·萊伯恩,杰·埃利斯,尼克·多達(dá)尼,杰西卡·薩頓,約里克·范·韋杰寧根,杰米-李·蒙尼,亞當(dāng)·羅比特爾,韋爾·廷德爾,肯尼思·霍,科尼利厄斯·吉尼,保羅·漢普賽爾,佩泰·塞彭克,丹·格倫伯格,吉諾·李六位身份各異的陌生人，為贏取高額獎金，在神秘盒子的指引下受邀參與世界頂級密室逃脫游戲。誰知密室內(nèi)布局精良機(jī)關(guān)重重，陷阱遍布?xì)C(jī)暗藏。是刺激游戲，還是博命賭局？誰在背后操控這一切？誰能夠成功破解謎局，逃出生天？
開著我的房車去旅行
秦宇,李芷珺,姿娜,王坤炎影片講述了主人公周云飛因?yàn)閴粝耄ど狭俗约旱姆寇囍茫诼贸讨兴?jīng)歷了許多事情，也體會到了很多道理。人生就是一場旅行，你一定要讓你自己的人生，活的精彩，活的有價(jià)值。就這樣，周云飛向著他新的人生方向奔赴而去的故事。
我的的士爸爸
高山,邢露勻,易莉,楊曦,陳梓桐,李嘉欣影片主要講述了一名出租車司機(jī)搭載了一名沉默寡言、行為異常的小女孩，偶然的一次搭載讓出租車司機(jī)和陌生的小女孩卷入了一連串充滿疑云的事件中，引發(fā)觀眾對人性、信任與危機(jī)的深度思考。
女劫
娜塔莉·布朗,喬納森·沃頓,彼得·達(dá)莰哈,佩頓·肯尼迪,羅恩·利,邁克爾·戴森,梅蘭妮·林斯基,塞思·杜哈梅,薩奈·維多利亞,希拉·凡德,琳賽·柏奇XX是一個(gè)新的恐怖文選與性別扭曲的所有段將由女性導(dǎo)演將明星的女主角。在預(yù)算和時(shí)間限制下，董事們被賦予了自由的創(chuàng)造力，但所有的片段都將涉及到恐怖類型。