快樂的波波
艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuanA few years before he went on to make a big splash in the cannibal sub-genre, Ruggero Deodato directed this successful rip-off of Roman Polanski's brilliant Knife in the Water. Naturally, being an Italian film - there's more of a focus on sex than the relationship between the central couples, but the claustrophobic atmosphere and entertaining characters help to keep the tension... (展開全部) A few years before he went on to make a big splash in the cannibal sub-genre, Ruggero Deodato directed this successful rip-off of Roman Polanski's brilliant Knife in the Water. Naturally, being an Italian film - there's more of a focus on sex than the relationship between the central couples, but the claustrophobic atmosphere and entertaining characters help to keep the tension bubbling over, which ensures that the movie is interesting for the duration. The film doesn't have nearly as much 'bite' as Cannibal Holocaust and most of the rest of Ruggero Deodato's filmography, but it's obvious that even with this early film; Deodato is a director with the potential to make a mark on cinema. The plot is simple in that it just focuses on two couples. George and Silvia invite Irem and Barbara for a weekend cruise on their yacht. It soon transpires that George isn't the most sensitive man to ever live, and Silvia doesn't seem to mind him treating her badly. The situation escalates, and Irem and Barbara join forces with Silvia for vengeance against George...and three way sex, of course.
在線播放
劇情簡介
艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuanA few years before he went on to make a big splash in the cannibal sub-genre, Ruggero Deodato directed this successful rip-off of Roman Polanski's brilliant Knife in the Water. Naturally, being an Italian film - there's more of a focus on sex than the relationship between the central couples, but the claustrophobic atmosphere and entertaining characters help to keep the tension... (展開全部) A few years before he went on to make a big splash in the cannibal sub-genre, Ruggero Deodato directed this successful rip-off of Roman Polanski's brilliant Knife in the Water. Naturally, being an Italian film - there's more of a focus on sex than the relationship between the central couples, but the claustrophobic atmosphere and entertaining characters help to keep the tension bubbling over, which ensures that the movie is interesting for the duration. The film doesn't have nearly as much 'bite' as Cannibal Holocaust and most of the rest of Ruggero Deodato's filmography, but it's obvious that even with this early film; Deodato is a director with the potential to make a mark on cinema. The plot is simple in that it just focuses on two couples. George and Silvia invite Irem and Barbara for a weekend cruise on their yacht. It soon transpires that George isn't the most sensitive man to ever live, and Silvia doesn't seem to mind him treating her badly. The situation escalates, and Irem and Barbara join forces with Silvia for vengeance against George...and three way sex, of course.
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幽靈鬼屋
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馬路天使1937
1930年代,小云、小紅(周璇)姐妹被人騙到上海賣給琴師和妓院老鴇夫婦,小云被迫做了暗娼,小紅年紀尚小,又天生有一副好嗓子,便隨琴師去茶樓終日賣唱。姐妹兩人住在貧民窟,在她們對面,住的分別是報販老王和吹鼓手陳少平(趙丹)。因為閑來無事時陳少平常同小紅對窗玩鬧,兩人漸生感情?! ⌒〖t賣唱時被流氓古成龍纏上,對方欲強霸她為妾,小紅找陳少平商量對策,兩人本想借助律師將正義伸張,不想律師雙眼只認錢,無奈之下只得逃走,而這一過程中,老王對小云由憐生愛,可是小云卻因自卑不敢正視。琴師偶知陳少平與小紅下落,放風給古成龍,古成龍趕到小紅住處時,屋里只有她和小云,兩人生命危在旦夕。
看不見的客人
艾德里安(馬里奧·卡薩斯 Mario Casas 飾)經營著一間科技公司,事業蒸蒸日上,家中有美麗賢惠的妻子和活潑可愛的女兒,事業家庭雙豐收的他是旁人羨慕的對象。然而,野心勃勃的艾德里安并未珍惜眼前來之不易的生活,一直以來,他和一位名叫勞拉(芭芭拉·藍妮 Bárbara Lennie 飾)的女攝影師保持著肉體關系。某日幽會過后,兩人驅車離開別墅,卻在路上發生了車禍,為了掩蓋事件的真相,兩人決定將在車禍中死去的青年丹尼爾聯同他的車一起沉入湖底。之后,勞拉遇見了一位善良的老人,老人將勞拉壞掉的車拉回家中修理,然而,令勞拉沒有想到的是,這位老人,竟然就是丹尼爾的父親。
坐白車的女人
此劇是以三位女人為中心展開的懸疑驚悚劇。 鄭麗媛劇中飾演渾身是血,打開案件中心的主人公都京一角,她比誰都隱藏著沉重的秘密。