白晝的惡魔

3.6 播放:85萬 更新:2026-06-11
主演: 大島渚/

  松子是一名鄉(xiāng)村女教師,思想非常先進的她發(fā)起了青年民主共同農(nóng)業(yè)經(jīng)營運動,成為了組織者,和松子一起奮斗的,還有英助、志野和源治等人。源治一直癡癡的愛慕著松子,無法自拔。最終,因為源治的背叛,運動以失敗告終,源治妄圖向松子求婚,也遭到了對方的拒絕和唾棄,絕望之中,源治選擇了自殺。                                      源治的死大大撼動了松子的心靈,在松子最脆弱的時候,英助趁虛而入捕獲了她的芳心,兩人結(jié)為海外影視

播放通道

詳細簡介

  松子是一名鄉(xiāng)村女教師,思想非常先進的她發(fā)起了青年民主共同農(nóng)業(yè)經(jīng)營運動,成為了組織者,和松子一起奮斗的,還有英助、志野和源治等人。源治一直癡癡的愛慕著松子,無法自拔。最終,因為源治的背叛,運動以失敗告終,源治妄圖向松子求婚,也遭到了對方的拒絕和唾棄,絕望之中,源治選擇了自殺。                                      源治的死大大撼動了松子的心靈,在松子最脆弱的時候,英助趁虛而入捕獲了她的芳心,兩人結(jié)為海外影視

同類推薦

牙仙歷險記

波波·斯圖爾特,杰琳·貝茨,拉金·貝爾

  一位叛逆的青少年牙仙渴望探索超越自己封閉文明與嚴苛傳統(tǒng)的世界。在一次冒險中,他遇見了世界上最可愛的小巨魔,以及擁有科學天賦、勇敢無畏的小妖精。三個小小生物從此展開旅程,努力聯(lián)合各自的王國,同時躲避心懷不軌、蠢蠢欲動的蜘蛛威脅。

是的2025

艾里爾·布隆茲,伊芙雷特·多,納馬·普雷斯,阿列克謝·謝列布里亞科夫,莎倫·亞歷山大,Pablo Pillaud-Vivien,Idit Teperson,Meir Fenigstein,Amit Narovliansky,Ellie Ohana,Joy Ohana,Noah Lapid Preis,阿薩夫·喬納斯,Shira Shaish,Daria Gilat Brenner,Ron Friedland,Rodia Kozlovski,Rachel Ayalo,Oded Carmi,Muriel Ha

富豪私人派對上,一對男女忘我炒熱氣氛,只要金主敢玩,他們十倍奉還。白天,兩人棲居小公寓照料幼子,她靠教舞維生,他則是潦倒音樂家。然而,手機里傳來的加沙煉獄景象使他們焦慮,周遭人們卻歡慶著血流成河,他們?yōu)榱藴仫枺^續(xù)出賣靈魂。某夜,他收到酬勞可觀的邀約,卻必須將金主寫下的魔鬼詩篇譜成新國歌。為了五斗米,他決定深入國族的集體創(chuàng)傷,尋找主旋律。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

非禮勿視

Glen Jacobs,克雷格·霍納,Michael J. Pagan

  八個感化院的青年在兩名警官的監(jiān)督下,前往鄉(xiāng)間一所破敗的客棧中接受社區(qū)服務,但是他們的到來卻無意中驚醒一個沉寂已久的惡魔。雅克布?古德奈特 飾(Glen Jacobs 格蘭“凱恩”雅克布 飾),身高七英尺,體重四百磅,頭骨里嵌著一個生銹的鐵盤,鋒利的指甲足夠戳穿對手眼睛的精神病患者。  雅克布四年前曾被警官弗蘭克?威廉姆斯(Steven Vidler 飾)槍擊頭部,卻僥幸逃生。如今弗蘭克正是這群青年的督導員。弗蘭克和孩子們的出現(xiàn)激起了雅克布屠殺的欲望,他舉起巨斧,將客棧變作血腥的屠宰場……

無影醫(yī)魂

Ji Zrong,Wen Shengyuan,Keo Sinak

靈魂無形,醫(yī)者仁心,徘徊生死,守護人間。   在柬埔寨的深處,米莉斯,一個貧寒家庭的女孩,懷揣著醫(yī)者之夢。她以卓越的學業(yè),叩開了新加坡醫(yī)學交流的大門。在那里,她與盧卡斯結(jié)下深厚情誼。然而,命運無情,一場肇事逃逸,奪走了她的生命。她的靈魂徘徊在生與死的邊緣,復仇與慈悲交織。在母親的祈禱和僧侶的指引下,她面臨抉擇:是向兇手復仇,還是繼續(xù)守護他人?這是一部關(guān)于愛與失去的故事,一曲人性與慈悲的頌歌。在逆境中,靈魂的光芒永不熄滅。