即刻觀影
劇情賞析
編輯推薦
菜肉餛飩
周野芒,潘虹,茅善玉,陳國慶,王琳,徐祥,高博文,王菊,陳龍,馮瑪婭,倪夏蓮,安棟,王佳彥,曹可凡,袁鳴,章齡之,戰士強,張芝華,張建亞,顧曉東,卞根琴,孔祥東,賈梓樂,錢小昆,陳瀚波,黃英上海的退休工程師老汪與兒子有一個約定，每周六小汪會回父母家一次，順便吃碗老汪拿手的菜肉餛飩。為了讓兒子早點結婚生子，老汪在愛人素娟的啟發下，決定自己去公園相親角為兒子物色一名婚戀對象。在相親角，老汪結識了老金、美琴、阿芳等人，自己也無意中卷入了一場始料未及的情感漩渦之中。
火葬2025
Van David,K Sinh,Ry SreyNet醫生曾嚴禁丹妮懷孕，她卻意外誕下雙胞胎，命運的轉折讓母子三人接連離世。在柬埔寨傳統火葬儀式籌備期間，殯葬師與僧侶按習俗處理后事，卻接連遭遇毛骨悚然的怪事。停尸間的異響、誦經時的異常干擾、遺體旁的詭異痕跡不斷出現，亡者的怨念在火葬場蔓延，原本肅穆的超度儀式，逐漸淪為被恐懼吞噬的死亡現場。
害蟲2023
西奧·克里斯廷,索菲婭·勒薩弗爾,杰羅姆·尼爾,麗莎·尼亞科,費尼肯·歐菲爾德,Marie-Philomène Nga,馬哈瑪德·桑伽勒,阿卜杜拉·蒙迪,Ike Zacsongo,埃馬紐埃爾·博納米,Xing Xing Cheng,Samir Nait,Malik Amraoui,Lehcem Mahidi,Nasser Mehal,Abdelkader Bounoir,Karim Daoues,Christine Kay,斯蒂芬·馬拉瑟內,Aicha Ameddah孤獨青年在住宅大樓自設昆蟲館，把各種昆蟲和爬蟲類視為寵物，蝎子蜈蚣愛不釋手。新寵兒是一只外來蜘蛛，暫時給它一個安樂窩，只是掌上明蛛求生欲強，它要逃離禁室，不斷繁衍。后代變種奪命巨蛛，大樓到處結滿蛛網，居民陷入一片恐慌。基于公眾安全理由，警方封鎖現場所有出口，死里逃生更是難上加難。凡尼切克首部長片，直視無孔不入的致命威脅，觸及社會的階級歧視，勾起封城恐懼，善用特效與場景空間，拍出令人毛骨悚然血壓狂飚的蛛殺危機。
戒靈
顧泓淵身負儲物戒指枷鎖，偽裝廢柴在云道峰隱忍修煉。被迫指導小師妹唐檸，卻意外卷入秘境之爭。玄天派結盟白黎、語笙，為靈石與混元契踏入險地。秘境中智破八門金鎖陣，助唐檸領劍意。面對復蘇的狂暴白澤，他打破戒指枷鎖突破元嬰，與師兄漠儒楓合力將其封印。攜混元契歸來后穩固修為，眼神暗藏鋒芒，新的冒險已然開啟，而壁畫深處滲出的黑暗氣息，預示著更大危機正在醞釀
人蛇大戰2022
李勁峰,蘇濛濛,駱達華因為人為的過度開采，工業廢料的隨意丟棄，導致美麗海島生態被破壞，變異怪物巨蛇攻擊人類。主人公陳朗靠著自己的勇氣帶領眾人逃生并犧牲性命保護家人。通過故事向人們發出了保護生態環境的預警，同時宣揚了團結、守護和愛的人性光輝。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster