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祭紅
龔雪,浦克,林強,關長珠,張延,傅守信,宋景昌,陳汝斌,崔超明,徐丹,莽一萍,孫笑非,張鐘熙,呂學謙,陳翔,顧謙,任偉民,王桂生,龐萬靈一九二九年，馮家寶帶著國民黨的使命由上海來到瓷城，一 面偵察共產黨的活動，一面搜刮陶瓷珍品。陶瓷工人程瑞生專會 燒制中外馳名的祭紅，他將自己唯一的女兒瑩童許給徒弟紅宇為 妻。三人一起過著貧困的生活。馮家寶想用祭紅向國外換取軍火，來鎮壓革命力量。但是， 程瑞生拒絕為他燒制祭紅。后來徐紅宇參加了游擊隊和隊長周丹 一起在瓷城組織工人罷工，抗捐抗稅。馮家寶鎮壓工人運動，殺 害了徐紅宇。已懷孕的徐妻在找游擊隊的途中被捕。程瑞生也因 敵人搶走了宣德祭紅大瓶，含恨出走。徐妻在獄中生一女，不久 又被押往上海。周丹率游擊隊打進瓷城，在獄中救出并收養了徐 女，也取名瑩童。解放后，周丹已是陶瓷研究所的黨委書記，女孩當了新一代 的陶瓷工人。一天周丹帶瑩童為徐紅宇掃墓時，巧遇程瑞生，程 收瑩童為徒。正當程瑞生燒出真正的祭紅美人肩大瓶，實現了幾 十年的宿愿時，他的女兒突然到來。原來徐妻被押往上海途中， 乘機打死馮家寶并參加了游擊隊，解放后被派往國外工作。此時 她看到周瑩童身上佩帶的祭紅小龍，認出她是自己的女兒，于是 祖孫三代團聚。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
離婚喜劇
陶慧敏,呂涼,王蕙業務員吳飛心地善良，他救起了昏倒在路邊的農村少女林小妹，并將她帶回了家里。原來小妹與永生相愛，可是父母硬逼她嫁給有錢的老頭，她和永生逃了出來，卻在火車站走散了。吳飛的妻子趙紅打了一夜麻將回到家中，發現小妹不禁妒火中燒，趙紅一股腦發泄著自己對吳的不滿，準備離婚。不久，得到 消息的永生來接小妹，小妹看到永生有兩萬元錢，以為是永生偷了吳飛的，連忙還了回去，才知道是吳飛借給永生的。小妹與永生在大壩上準備結束此生，吳飛夫婦趕到，吳的一番肺腑之言打消了小妹輕聲的念頭，也使消除了趙紅對他的怨恨。
茱莉亞
簡·方達,杰森·羅巴茲,瓦妮莎·雷德格雷夫,馬克西米連·謝爾,梅麗爾·斯特里普故事發生在二十世紀三十年代初期，莉蓮（簡·方達 Jane Fonda 飾）前往維也納尋找自己曾經的好友茱莉亞（瓦妮莎·雷德格瑞夫 Vanessa Redgrave 飾），到達目的地之后，莉蓮才知道，茱莉亞因為和法西斯支持者發生了激烈沖突而受傷住進了醫院，之后不知所蹤。在莉蓮回歸自己的生活之后，她意外的收到了茱莉亞的來信，在信中，茱莉亞請求莉蓮幫助自己投運五萬美元給反納粹組織，盡管這一舉動在當時意味著巨大的危險，但是莉蓮還是答應了茱莉亞，最終，兩個多年未見的好友在柏林重逢。然而，沒過多久，莉蓮便受到了茱莉亞的死訊，在悲痛之中，莉蓮明白，自己還有未完成的任務。
牛排
埃里克·朱多爾,朗齊·貝迪亞,喬納森·朗貝爾,Vincent Belorgey,Sebastian Akchoté,Laurent Nicolas,Sébastien Tellier,Alain Gendreau,Mark Latrémouille,Marie-Claude Michaud,雨果林·什維特·蘭黛斯科,Caroline Bernard,Steve BarryGeorge is the scapegoat of his classmates. One day he cracks and shoots them. His best and only friend Blaise is accused in his place and sentenced to 7 years in a psychiatric hospital. At the day of his release, Blaise realizes he only has one family: his best friend George. But he does not want to hear about his childhood friend, as he tries to integrate with the "Chivers" a gang whose members wear red jackets and boots, drink milk, drive sport trucks and play an incomprehensible and violent game that mixes cricket and mental arithmetic.
捍衛時空戰士
雷·利奧塔,蘭斯·亨利克森,斯圖亞特·維爾森,凱文·狄龍,凱文·J·奧康納,伊恩·麥克尼奇,杰克·謝菲爾德,邁克爾·勒納,埃涅·赫德森,Don HendersonRobbins is sentenced to prison for the assassination of his general officer, a prison you leave only when you die. Since nobody ever leaves the prison, nobody knows what the prison is like. The prison manager realizes this and buys himself an island playground called "Absolom," where the worst prisoners are free to create an isolated barbaric society, and where the strongest men rule...a living hell. Robbins is sent to Absolom after he almost kills the prison manager.
圍困2
尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫洛娃,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈爾巴托夫,謝爾蓋·哈欽科,Roman Gromadsky,Aleksei Presnetsov,米哈伊爾·烏里揚諾夫,丹尼爾·薩加爾,Stanislav Fesyunov,Vladimir Voronov,列夫·佐洛圖欣,Igor Komarov,Gerbert Dmitriev,German Khovanov,Oleg Khromenkov,Rudolf Chelishchev,Vladimir本片是蘇聯偉大衛國戰爭系列史詩巨片之一部。影片盡情歌頌了蘇聯人民，在德國法西斯圍困列寧格勒的900個艱難的日日夜夜，所表現出來的頑強精神。影片及表現了蘇軍大本營對列寧格勒的戰略布防，也表現出列寧格勒市民面對生死的堅忍不拔。同時也是為數不多的蘇聯戰爭影片，客觀地表現了戰爭初期紅軍失利，以及紅軍將領伏羅希洛夫元帥組織列寧格勒城防的失敗。影片還展現了列寧格勒基洛夫工廠，冒著的德軍轟炸，堅持為前線生產武器，以及軍隊和市民通過城市唯一與外界的通道——拉多加湖通道，運送糧食、武器和其他戰略物資的場面。該片還較為詳實地展示了希特勒攻占列寧格勒的計劃，以及紅軍與市民聯手防御，共同抗敵的畫面。這部影片，將戰爭的全景展示與戰壕細節完美地結合起來，直到今天仍不失為一部反法西戰爭的優秀影片，很值得觀賞和借鑒。