蒙帕納斯的布布

　　1977年，在被軍事獨裁統(tǒng)治折磨的巴西，四十多歲的馬塞洛逃離了他混亂的過去，來到累西腓，希望在這里建立新的生活并與家人重修舊好。然而，他并未料到死亡威脅如影隨形，籠罩在他的頭頂。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

顧泓淵身負儲物戒指枷鎖，偽裝廢柴在云道峰隱忍修煉。被迫指導(dǎo)小師妹唐檸，卻意外卷入秘境之爭。玄天派結(jié)盟白黎、語笙，為靈石與混元契踏入險地。秘境中智破八門金鎖陣，助唐檸領(lǐng)劍意。面對復(fù)蘇的狂暴白澤，他打破戒指枷鎖突破元嬰，與師兄漠儒楓合力將其封印。攜混元契歸來后穩(wěn)固修為，眼神暗藏鋒芒，新的冒險已然開啟，而壁畫深處滲出的黑暗氣息，預(yù)示著更大危機正在醞釀

影片以 1999 年西南邊境為背景，聚焦森林公安的熱血使命，講述了森林公安劉釗（王天野 飾）、老趙（景崗山 飾）、王磊（任愷 飾）三人，在一次常規(guī)巡山中，意外撞破境外日本間諜頭目昂山?介德（三浦研一 飾）帶領(lǐng)的境外團伙 竊取我國NSSU血清提取樣本機密，暴力劫獄潛逃后，妄圖翻越大亮山穿越國境線。從平靜巡山到直面窮兇極惡的匪徒，三名森林公安義無反顧開啟阻擊戰(zhàn)，用血肉之軀筑起國境線上的鋼鐵防線，與身負竊密、販毒、謀殺多重罪行的犯罪團伙展開一場生死博弈的硬核警匪大戰(zhàn)！