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劇情賞析
編輯推薦
豬豬俠·一只老豬的逆襲
陸雙,山新,唐嶷,陳思宇,徐經(jīng)緯,任景行, 周健過(guò)氣頂流也有逆襲夢(mèng)！曾經(jīng)的男神豬豬爆竟淪落到以送外賣(mài)為生？！一次偶然之下，他獲得了擔(dān)任電影男主的機(jī)會(huì)，但這個(gè)劇組并不“簡(jiǎn)單”，為豬豬爆的男主之路埋下重重關(guān)卡。面對(duì)N重考驗(yàn)，他能否逆襲成功？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
角頭：斗陣欸
高捷,蔡振南,太保,喜翔,龍?zhí)煜?王識(shí)賢,夏靖庭,孫鵬,黃騰浩,張懷秋,黃尚禾,鄭人碩,張?jiān)倥d,唐振剛,吳震亞,黃冠智,林真亦,陳萬(wàn)號(hào),白吉?jiǎng)?李銘忠,崔浩然,黃鐙輝,吳念軒,是元介,瑞瑪·席丹,王陽(yáng)明,陸明君,曾珮瑜,荒山亮,林道禹,隆宸翰,邱永騰,游安順,伊正,王自強(qiáng),孫國(guó)豪,草爺因父親挑起新舊敵對(duì)幫派的激烈地盤(pán)斗爭(zhēng)，身為兒子的他則試圖掌控腥風(fēng)血雨的臺(tái)灣黑社會(huì)，在兄弟情與自身處境的夾縫中被迫前進(jìn)。外部敵對(duì)勢(shì)力步步進(jìn)逼，內(nèi)部也因誤會(huì)與壓力而開(kāi)始產(chǎn)生裂縫，使得情義不再是理所當(dāng)然的依靠……
心之高歌
Carola Insolera,Emilio Insolera,Antonio Iorillo,Simonetta Pellizzer,Sarah Toscano,塞雷娜·羅西作為聾人家庭唯一能聽(tīng)見(jiàn)聲音的成員，含羞的少女發(fā)現(xiàn)自己擁有唱歌天賦，她不得不在履行責(zé)任和尋找自己的道路之間做出抉擇。
來(lái)點(diǎn)茶泡飯如何
深川麻衣,若葉龍也,小野寺Zuru,片岡禮子,大友律,山下知子,森禮子,幸野紘子,守屋えみ,尾本貴史,遠(yuǎn)藤隆太,松尾貴史,豐原功補(bǔ),室井滋標(biāo)題中的「ぶぶ漬け（お茶漬け）どうどす」是一句眾所周知的京都表達(dá)，京都人常用這句話(huà)以委婉的方式傳達(dá)「差不多該告辭了」的意思。電影《ぶぶ漬けどうどす》以此為主題，展現(xiàn)了因京都特有的縣民性而引發(fā)的各種鬧劇，并展開(kāi)了一段充滿(mǎn)喜劇色彩的故事。影片以從東京嫁到京都老字號(hào)扇子店的自由撰稿人澁澤まどか為主人公，描繪了〈京都人〉與從東京而來(lái)的〈外地人〉之間的攻防與沖突。
裝袋計(jì)劃
拉維·卡普爾,蘭斯·金賽,Gill Gayle,戴安娜·李·伊諾桑托面對(duì)癌癥，奧斯卡訓(xùn)練他的殘疾兒子比利在雜貨店裝袋，希望在時(shí)間耗盡之前為他找到一份工作和獨(dú)立。