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韓塞爾與葛雷特
千正明,陳智熙,沈恩敬,殷元在因母親染病，青年李恩洙（千正明 飾）驅車向家中趕去，但中途遭遇車禍，翻到路邊。當他從昏迷中醒來時，發現眼前站著一個有如天使般的女孩子（沈恩京 飾）。在這個名叫英姬的女孩的引導下，恩洙隨之來到了女孩位于密林深處的家。那是一幢宛如從童話書中出來的夢幻而華美的大房子，家中擺放著各種各樣精巧可愛的飾品。這里住著英姬、她的父母、哥哥萬福（殷元宰 飾）以及妹妹貞順（陳智熙 飾）。疲勞疼痛的恩洙起初并未察覺絲毫一樣，可是他很快便發現，如此美好的童話所在竟成為永遠無法逃離的樊籬…… 本片榮獲2009年葡萄牙奇幻國際電影節評委會特別獎。
皇家次子女秘密組織
格雷格·布瑞克,艾洛蒂·袁,斯蓋拉·阿斯丁,佩頓·伊麗莎白·李,奈爾斯·菲奇,阿什利·廖,伊莎貝拉·布萊克·托馬斯,諾亞·羅麥克斯,賈斯達達,Derry Robinson,Olivia Deeble,Kenny Wong,Seth Mohan,Jadiel Dowlin,Xavier Schoppel一個現代王國Illyria的公主Sam，性格叛逆，是王位的第二繼承人。正當Sam對王位的漠不關心值達到人生新高時，她驚訝地發現自己有超能力，而且屬于一個長期以來偷偷摸摸保護全國和平的秘密組織。影片聚焦Sam的歷險：她加入了這個屬于最高機密的訓練項目，目的是訓練皇室的次子女們來肩負拯救世界的任務。
別告訴媽媽保姆死了
朱恩·斯奎布,丹妮爾·哈麗絲,喬安娜·卡西迪,Phoenix Parnevik,泰里克·威瑟斯,杰梅因·福勒,妮可·里奇,Iantha Richardson,邁爾斯·福勒,格斯·肯沃西,Simone Joy Jones,Patricia Williams,Donielle T. Hansley Jr.,阿亞米·斯萊奇,特莉薩娜,Robert M. Lee,卡特·揚,Lizet Upia,Hannah Wimbrey,Dominique Toney講述了17歲的女孩塔尼婭的故事。她計劃在秋季入學前與朋友一起去歐洲度假。但是，她的媽媽決定去泰國參加一個健康療養活動，因此塔尼婭不得不留在家里照顧她的兄弟姐妹。正如標題所示，當他們年邁的保姆意外去世時，塔尼婭找到了一份為一位雄心勃勃的女性工作的工作。在她努力平衡工作、家庭和復雜的愛情關系時，塔尼婭在失去最后一個自由的夏天的代價中，開始體驗成人生活。
利摩日陽臺
安妮·莉絲·海姆伯格,法比恩·巴布,安東尼·巴滕迪爾,羅倫納·席琳,?帕特里斯·加萊特,杰羅姆·普利,埃米利安·泰瑟格拉迪絲是一位五十多歲的女性，生活在社會的邊緣，沒有住所、沒有醫保卡、沒有銀行賬戶。對她來說，一切都無關緊要，甚至對于性、酒精或跳舞的享受也都不重要。一天早上，她偶然遇到了尤金妮，一位高中時的朋友。尤金妮試圖違背她的意愿去幫助她。
體制2026
索娜什·辛哈,Jyotika,阿素托史·哥瓦力克特權檢察官Neha Rajvansh和卑微的速記員Sarika Rawat的生活在一個權力塑造真理的體系中發生了沖突，迫使他們質疑正義的意義。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
執法記錄
杰米·M·卡利卡,肖恩·羅格森,凱瑟琳·拉夫·哈格奎斯特,Angel Prater,基岡·康納·特雷西,Chris Casson,Elizabeth Longshaw,Colette Nwachi,Joe Perry,Kevin Doree兩名警察在出警處理一樁家庭糾紛時，不慎釀成了一起槍擊意外。為了避免成為輿論的眾矢之的，他們選擇聯手掩蓋真相。隨著事態逐漸失控，他們才驚覺——監視他們的，遠不止現場的攝像頭…