劇情簡介
兩個姐妹，尹貞和尹熙，打電話給她們的男小輩幫她們打掃房子。小三不僅負責打掃衛生，還給兩人送上了火辣的性愛禮物。癡迷于年輕人口味的姐妹倆尋找新的獵物艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan
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瘋狂的麥克斯：狂暴女神
安雅·泰勒-喬伊,克里斯·海姆斯沃斯,湯姆·伯克,艾莉拉·布朗,喬治·謝夫佐夫,拉黑·休姆,約翰·霍華德,安格斯·桑普森, 查理·弗雷澤,埃爾莎·帕塔奇,內森·瓊斯,喬什·赫爾曼,大衛·菲爾德,拉赫爾·羅曼,戴維·科林斯,戈蘭·D·克魯特,CJ·布隆菲爾德,馬圖斯,伊恩·羅伯茨影片講述了復仇女神弗瑞奧薩（安雅·泰勒-喬伊 Anya Taylor-Joy 飾）驚心動魄的成長史。年輕的弗瑞奧薩從原本的家園被掠走，落入軍閥狄門特斯（克里斯·海姆斯沃斯 Chris Hemsworth 飾）領導的幫派手中，在穿過荒原時，他們來到不死老喬（拉黑·休姆 Lachy H ulme 飾）所掌管的堡壘。在兩位暴君爭奪統治地位的同時，弗瑞奧薩必須在重重考驗中活下來，并想方設法尋找回家的路；她也逐漸成長為利落酷颯的狂暴女神。
霧人前傳
邁克爾·羅伯特·布蘭登,邁克爾·穆內,邁克爾·穆內1978年，死亡峽谷。警官戴維?麥克阿里斯特（David Stanbra 飾）將殺人如麻、殘酷血腥的霧人（Ben Gunther 飾）繩之于法，這個作惡多端的噩夢最終死在毒氣室里。 時間回到現在，警長麥克阿里斯特（Robert Pine 飾）即將退休，他的兒子哈里斯（Michael Muhney 飾）則尾隨父親當上了警察。父子二人在六角餐館用餐時，遭遇了在逃的賭場搶劫犯。雙方展開對峙，年輕氣盛的哈里斯引起大爆炸，兩名劫匪劫持餐館女招待瑪雅（Mircea Monroe 飾）逃亡。在救援部隊遲遲未到之時，戴維帶著兒子展開謹慎的追蹤。不過令雙方始料未及的是，似乎有另一個神秘、恐怖的殺手將他們玩弄于鼓掌之中。邪惡的霧人精神不死，重返人間……
特工迷陣
杰森·莫瑪,戴夫·巴蒂斯塔,莫蕾娜·巴卡琳,雅各布·貝塔隆,特穆拉·莫里森,克萊斯·邦,弗蘭基·亞當斯,石原崇雅,斯蒂芬·魯特,大衛·赫克里·肯努·貝爾,Mark R Black,Marris Collins,馬卡納·大衛,邁克·愛德華,蘿伊瑪塔·福克斯,瑪雅·凱洛哈,Cyndi Mayo-Akeo,Cyndi Mayo,斯蒂芬·歐陽,莉迪亞·佩克漢講述一對性格迥異的同父異母兄弟——哥哥是行事沖動的偵探，弟弟是紀律嚴明的海軍海豹突擊隊員——因父親在夏威夷遇害而被迫聯手，踏上一場危機四伏的追尋之路，誓要揭開背后隱藏的驚天陰謀。
靈犀
Jay Dee,Daniel 'Doknow' Lopez,Uziel Pantoja Delgado,Pao Villalobos,Nana Ponceleon,Laura Lopez,Francine Sena,Liz Ellie,Xavier Mendoza,Jose Mata,Cristian E. Gutierrez,Josh Benitez,Cory Aycock,Angelina Rosa,Noman Hosni,Terrence DeLane,Seryn野心勃勃的小鎮音樂家的表演視頻在網絡上火了，他想要抓住機會在樂壇占據一席之地，可這場追名逐利的游戲也許不是他能夠把握的。
植物學家
葉斯力·加和斯力克,任紫晗,埃拉馬贊·薩赫特,喬馬揚·松哈特,努道勒·亞倫影片講述中國新疆北部邊境的山谷村莊里，孤獨的哈薩克族男孩與植物為伴，他在追尋逝去的時光中，逐漸隱入植物世界的夢幻寓言。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
太空運輸
馬丁·拉波德,Michael Finger,Claude-Oliver Rudolph23世紀中葉，地球已進入全面崩潰的階段，戰爭和傳染病讓這顆原本美麗的藍色星球破爛不堪，人類被迫離開賴以生存的家園，遠赴外太空尋找新的棲息地。憑借TSA先進的技術，木衛五成為充滿希望的新興樂土。在此之后，大批地球人乘坐飛船前往木衛五，地球逐漸被人遺忘。 然而就在此時，不斷有人起來反抗，聲稱要推翻TSA利用機器對人類的麻醉和統治，并據此不斷向空間站發起恐怖襲擊。美麗的勞拉·波特曼博士（Anna-Katharina Schwabroh 飾）隨一艘貨船前去空間站看望親人。在長達4個月的旅途中，大部分人需進入睡眠狀態。勞拉擔任了值班的任務，然而在這靜寂的飛船里，似乎有其他人在暗中窺視著她。一樁樁陰謀漸漸浮出水面……