影片推薦
索命暹羅之按摩師
林保怡,袁百梓卉,高捷,黃愷杰,鈕蔚淇,高翔,葉勇蒼蠅之母
約翰·亞當斯,露露·亞當斯,澤爾達·亞當斯,托碧·波塞爾侏羅紀公園
山姆·尼爾,勞拉·鄧恩,杰夫·高布倫,理查德·阿滕伯勒,鮑勃·佩克,馬丁·費雷羅,約瑟夫·梅澤羅,阿麗亞娜·理查茲,塞繆爾·杰克遜,黃榮亮,韋恩·奈特,杰拉爾德·R·莫倫,米蓋爾·桑多瓦爾弗蘭肯斯坦計劃
莉莉·莫羅利,凱內爾·穆德盧佐,米克洛什·B·塞凱伊,迪亞·麥格唐娜·凱斯,卡塔·韋伯,山大·特赫斯,魯道夫·弗賴奇卡,Kitty Csíkos,Natasa Stork,ági Margittay混凝土烏托邦
李炳憲,樸敘俊,樸寶英,金善映,樸持厚,羅哲,金度允,南鎮福,金學善,樸周勇無瑕修女
西德尼·斯維尼,西蒙納·塔巴斯科,阿爾瓦羅·莫奇,貝內黛塔·波爾卡羅利,朵拉·羅馬諾,吉皮耶羅·朱迪卡,喬治·科蘭杰利同類精選
汪星人訓練營
亞歷山德拉·瑪麗亞·拉娜,大衛·史崔梭德,安娜·赫爾曼,多加居·雷爾,魯里克·吉斯拉松,Kerim Waller誠聘保姆
薩拉·湯普森,馬特·達拉斯,布魯斯·托馬斯,比爾·莫斯利,Monty Bane格吉(殺人鬼)
卡文·英瑪諾泰,Supawadee Kitisopakul,??????? ????????????假日旅館
平·克勞斯貝,弗雷德·阿斯泰爾,瑪喬麗·雷諾茲,弗吉尼亞·戴爾,沃爾特·艾貝爾,路易絲·比弗斯,歐文·培根跳動的心2
特里普蒂·迪姆里,維品·沙爾馬,希坦特·查杜爾韋迪詩人2025
烏貝馬爾·里奧斯,蕾韋卡·安德拉德,吉列爾莫·卡多納,阿利森·科雷亞,翁貝托·雷斯特雷波,瑪格麗塔·索托影視排行
此時此地
蒙·康菲多,Lesley Lina,Yukihiko Mizomoto,尾野真千子,曼尼·帕奎奧,田邊桃子,Lou Veloso,Buboy Villar,結城貴史職業拳擊手神山英次在菲律賓試圖東山再起,卻始終未能獲得比賽機會,轉眼已至不惑之年。就在此時,長期失聯的女兒桃子突然造訪,命運的齒輪由此轉動。失去母親后無處可去的桃子,漂洋過海來投奔父親。 異國菲律賓的屋檐下,這對父女開始了生澀的同居生活。血緣的羈絆難以輕易填補十余年的空白,兩人笨拙地摸索著親子關系的形狀。 女兒身上總帶著“另一個自己”的影子,這段充滿磕絆卻暗藏溫情的日常,讓曾經視野狹隘的神山逐漸學會環視周遭——塬來注視著他的,不止是桃子,還有更多人的目光…… 當比賽機會奇跡般降臨,英次為贏得屬于他們的容身之處毅然踏上擂臺。這部以拳擊為背景的作品,最終講述的是關于“父”與“子”共同成長的生命物語。
裝袋計劃
拉維·卡普爾,蘭斯·金賽,Gill Gayle,戴安娜·李·伊諾桑托面對癌癥,奧斯卡訓練他的殘疾兒子比利在雜貨店裝袋,希望在時間耗盡之前為他找到一份工作和獨立。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
兩架鋼琴
弗朗索瓦·西維爾,娜迪亞·特列什科維奇,夏洛特·蘭普林,伊波利特·吉拉爾多,阿爾芭·貝露琪,Anne Kessler,杰里米·勒溫,Marianne Pommier,Valentin Picard,Laura Caselli,Keith Farquhar,梅蘭妮·古思,帕斯夸萊·當卡,Micha?l Ma?no,Rafa?l Reves,雅尼塞·科巴卜,Guillaume Benit,Guillaume Arnoldi,Erwan Vin,Déborah Lamy在多年前的一段經歷后回到法國,鋼琴家馬蒂亞斯·福格勒將再次與他的導師埃倫取得聯系,為一場音樂會做準備。在一座公園里,他將邂逅一個與自己長得一模一樣的孩子,而這個孩子會把他引向克洛丁——一位他曾在某個時代深愛過的女人。