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芭兒·帕麗,亞歷克西斯·克納普,皮爾斯·布魯斯南,阿什麗·格林尼,賈斯汀·查特文,丹尼·馬斯特森,艾莉森·洛曼,克里斯·吉爾,詹姆斯·德貝羅,尼克·圖恩,歐嘉·梅雷迪斯保護者2025
米拉·喬沃維奇,馬修·莫迪恩,D·B·斯威尼,唐·哈維,邁克爾·斯塔爾-大衛,濱村洋子,特夏斯·巴特爾,伊莎貝爾·邁爾斯,布魯克林·蘇丹諾,麗迪雅·赫爾,澤維爾·埃斯特拉達,茲亞·格拉卡,Telles Alberto Rene,Lizeth Lopez,Gabriel Sloyer,Arica Himmel,Justin Hurr,Eric Weiss,Shane Williams,Nick Genta大明嬪妃之選秀
何杜娟,關慧卿,思漩,陳一諾,王春妹,朱一龍看不見的愛人2025
鐘熙,侯偉杰,陳彥霓牯嶺街少年殺人事件
張震,楊靜怡,張國柱,王啟贊,林鴻銘,金燕玲,王琄,張翰,姜秀瓊,賴梵耘,柯宇綸,譚志剛,馮國強,陳湘琪,金士杰熒屏在發光
賈斯蒂斯·史密斯,布里蓋特·倫迪·佩恩,伊恩·福爾曼,海倫娜·霍華德,林齊·喬丹,丹妮爾·戴德懷勒,弗里德·德斯特,康納·歐麥利,瑪達琳·賴利,埃博·本森,艾伯特·伯尼,邁克爾·C·莫羅納,丹尼·塔貝瑞利,蒂莫西·格里芬·艾倫,泰勒·迪恩·弗洛雷斯,伊麗莎白·斯科佩爾,馬林·班迪羅弗蘭肯斯坦的新娘
Sev Philippou,Nick Launchbury,Vincent Donato同系列推薦
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麗薩·安·沃爾特月球
薛景求,都敬秀,金喜愛,趙漢哲,崔炳模,Byeong-eun Park,洪承熙,趙勝淵,Gina Theresa Williamson,Laura Fitch Yang,Shim Young-Eun鐵血戰士:荒原
David Chokachi,Amulya Ananth,Vanessa Zanardi無垢的證人
唐澤壽明,當真亞美提前的葬禮
姜末琴,奉太奎屈從
梅根·福克斯,米凱萊·莫羅尼,瑪德琳·奇瑪,瑪蒂爾達·弗思,裘德·格林斯坦,安德魯·惠普,阿塔納斯·斯雷布雷夫,瑪納爾·埃爾-費圖里,安東尼·達維多夫,J·R·埃斯波西托,羅納克·帕塔尼,特雷弗·范烏登,凱特·尼科爾斯,王可欣,德雷克·莫斯,萊斯·韋爾登,馬克斯·克勞斯,艾登·霍萊特,尤安·邁克納頓,沃利扎·比尼夫幕后花絮
超聲
Driving home late at night during a heavy rainstorm, Glen experiences car trouble. Near where his car gets stuck, he spots a house, knocks on the door and is greeted by an oddly friendly middle-aged man, Arthur, and his younger wife, Cyndi. The strange couple pours him a drink, and then more drinks, followed by an unexpected offer that Glen can’t refuse. Elsewhere, a young woman, Katie, is feeling emotionally weighed down by a secret romantic arrangement that feels like a textbook case of gaslighting. And at the same time, in a nondescript research facility, medical professional Julie begins questioning her role in a bizarre experiment, fearing that she’s doing more harm than good.
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster