影片推薦
尸咒
金允慧,宋以載,樸智勛,李相亞菲律賓女孩
喬里貝爾·阿戈托,Joanna Marie Banua,安吉莉·芭雅妮,沙梅恩·布埃諾卡米諾,安娜·布金德,卡門·卡斯特利亞諾斯,Bullet Dumas,Teroy Guzman,Nour Hooshmand,阿戈特·伊西德羅,Pipay Kipay,Thea Marabut,米卡·戈麥斯,魯比·魯伊斯,伊莎貝爾·西卡特,卡洛斯·西古伊納-瑞納,Jewel Sotelo,Sunshine Teodoro,Elle Velasco靈魂密室
Katherine McNamara,Dove Cameron,Braeden Lemasters,Ryan McCartan,Tiffany Espensen異次元駭客
克雷格·比爾克,阿明·繆勒-斯塔爾,格瑞辰·摩爾,文森特·多諾費奧,丹尼斯·海斯伯特,斯蒂文·沙博,Jeremy Roberts,里夫·霍頓,萊昂·里皮,珍妮特·麥克拉克倫,布拉德·威廉姆·亨克,伯特·布洛斯,Venessia Valentino,霍華德·S·米勒,蒂婭·德克薩達,施瑞·阿普萊碧,鮑勃·克萊德寧,艾莉森·洛曼,Hadda Brooks,厄尼·里夫利,托妮·索耶,Brooks Almy,李韋弗,杰弗里·里瓦斯,Travis Tedford,杰夫·布魯門克蘭茨,約翰尼·克勞福德,Tracy P三個神探與喀爾巴阡之犬
Florentine Behrend,Levi Brandl,菲利普·克里斯托弗,Luis Dyangani,西拉-安娜 法爾,Mapi Plácido,Filip Schnack異形怪胎
布魯克·亞當斯,詹姆斯·凱倫,麗莎·庫卓,凱西·格里芬,Jeff Hayenga同類精選
全面追緝令
摩根·弗里曼,莫妮卡·波特,邁克爾·維克特,迪倫·貝克,米卡·波瑞姆,安東·葉利欽,金·霍桑,杰伊·桑德斯,比利·伯克,邁克爾·莫里亞蒂,佩內洛普·安·米勒,安娜·瑪利亞·霍斯福德,克里斯托弗·謝爾借口公司
菲利普·拉肖,艾洛蒂·豐唐,朱利安·阿魯蒂,塔雷克·布達里,迪迪埃·布爾東,納塔莉·貝伊,娜威爾·瑪達尼,梅迪·薩東,樊尚·德扎尼亞,愛麗絲·杜富爾,菲利普·杜克斯納,米歇爾·拉羅克,凱德·麥拉德,薩米·納塞利,喬·普雷斯蒂亞,諾曼·塔沃,喬伊·斯塔爾與神對談
大衛·斯特雷澤恩,布倫頓·思韋茨,耶爾·格洛格拉斯,Charlbi Dean Kriek,希爾·哈勃,博比·迪奇科,Meagan Kimberly Smith春閨風月
艾琳·鄧恩,加里·格蘭特,拉爾夫·貝拉米,亞歷山大·達西,塞茜爾·坎寧安,莫莉·拉蒙特,喬伊斯·康普頓,羅伯特·沃里克,瑪麗·福布斯,Esther Dale,Robert Allen皇家酒店謀殺案
杰夫·布里吉斯,辛西婭·艾莉佛,達科塔·約翰遜,喬恩·哈姆,克里斯·海姆斯沃斯,卡莉·史派妮,劉易斯·普爾曼,尼克·奧弗曼,澤維爾·多蘭,謝伊·惠格姆,馬克·奧布萊恩,查爾斯·哈爾福德,吉姆·奧希爾,瑞貝卡·圖蘭,比利·威克曼,威廉·B·戴維斯,曼尼·賈希尼托,喬納森·懷特賽爾,凱瑟琳·伊莎貝爾,薩拉·史密斯密林諜影
康磊,馬亞楠,徐箭,梁笑,施駿喆,馬丹赫,張京生,宋禹,張貴生,穆佳男影視排行
挑戰未來2:星云
Sue Price,查德·斯塔赫斯基,Sharon Bruneau亞歷克斯失敗后過去了73年,人類也失去了半機械人的戰爭。從那時起,人類就被奴役了。科學家們已經開發出一種新的DNA毒株,這可能標志著Cyborgs的終結,并將其注射到志愿者身上。當生化機器人了解到這個女人和嬰兒時,他們都要終止。為了逃跑,她帶著一艘偷來的半機械人的船,在1980年回到了東非,在那里,母親被殺,但孩子得救了。這需要20年的時間,但半人半人的獵人星云最終找到了這個名叫亞歷克斯的女孩,并及時趕回來終結她的生命。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
毛骨悚然撞鬼經 2020秋季特別篇
稻垣吾郎,上白石萌音,片岡愛之助,水上恒司,川島鈴遙,桐谷美玲,菜菜緒,長澤雅美,神木隆之介,伊藤淳史,堀北真希,坂上忍,生田繪梨花,生駒里奈,白石麻衣,西野七瀨,齋藤飛鳥,佐藤健本集收錄新作《造了不開啟的房間》《有內情的KTV》及過去二十年名作選《交出手臂》《身后的女人》《深夜的鏡像》《懸崖下》《書本招來的幽靈》《出租車司機的經歷》《多出一人的電梯》《顏之道》。
天大的事
邵峰,劉惠,韓三明,張瑞雪,張衡平,郭晗該取材于武穴市4000多名黨員下社區、進小區,通過黨建引領老舊小區改造的故事:建于上世紀七、八十年代的老油廠小區,有9棟樓160多戶居民,是一個典型的無物管、無主管部門、無人防物防的“三無”小區。這里許多居民亂搭亂建雜物間、小車棚,下水道破損無人維修,生活污水橫流,居住環境十分惡劣。有條件的住戶外出購房搬離后,又將這里的房子出租出去,導致這兒的居住環境更加復雜。龍潭社區主任張昊陽借老舊小區改造之際,做活黨建+的文章,派出社區片警樊玉鋒任第一支部書記,引導居民開展“法治、德治、自治”。在社區工作者和小區黨支部+業主委員會的共同努力下,解決了一批居民急難愁盼的事,終于讓居住在這里的近千名群眾生活出現了新業態。