淫亂住宅2 奴隸契約

3.4 播放:30萬 更新:2026-06-08
主演: 未知/

距離婚禮還有3個艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。 到新婚房入住為止尋找臨時住處的準新娘藝琳,入住比市價便宜的單間公寓。 可是連設施都齊全的新建筑《玫瑰樓》有一個不便,這是禁止 男性訪客女性專用公寓。 這是個即使熱水器壞了也是除了管理人九老以外,沒有地方訴苦的女人們的禁區。 對連未婚夫都不能叫進來而郁悶感到不滿的藝琳,結果瞞著管理人把成柱叫到家里。 得知這一事實的九老以違反合約為由,要求巨額賠償金。 藝琳為了擺脫管理員的威脅甚至還進行了性妥協,反而陷入了他設置的陷阱.. 究竟改變準新娘人生軌跡的女性專用公寓玫瑰樓的真實身份是?

即刻觀影

劇情賞析

距離婚禮還有3個艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。 到新婚房入住為止尋找臨時住處的準新娘藝琳,入住比市價便宜的單間公寓。 可是連設施都齊全的新建筑《玫瑰樓》有一個不便,這是禁止 男性訪客女性專用公寓。 這是個即使熱水器壞了也是除了管理人九老以外,沒有地方訴苦的女人們的禁區。 對連未婚夫都不能叫進來而郁悶感到不滿的藝琳,結果瞞著管理人把成柱叫到家里。 得知這一事實的九老以違反合約為由,要求巨額賠償金。 藝琳為了擺脫管理員的威脅甚至還進行了性妥協,反而陷入了他設置的陷阱.. 究竟改變準新娘人生軌跡的女性專用公寓玫瑰樓的真實身份是?

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兩張彩票

多里安·波古策,德拉戈什·布庫爾,亞歷山德魯-維克多·內姆特亞努,諾拉·庫普辛庫,安迪·瓦斯盧亞努,尤安娜·弗洛倫蒂娜·迪米特流,米爾卡·巴努,伊萊亞斯·費金,艾麗莎·卡林,伊琳娜·諾阿特斯,亞歷山德魯·帕帕多波爾,謝爾班·帕夫盧

  是由保羅·內戈埃斯庫編劇執導的一部羅馬尼亞喜劇片,主要講述了一個小城鎮的三名男子尋找遺失的彩票的過程中發生的有趣故事。迪奈勒是這個城鎮的一名修車工人,幸運之神似乎從未光顧過他,因為他的客戶總是對他的活計不滿意、他的工資少到連酒都喝不起、就連他的妻子都因此離開了他。然而,有一天迪奈勒買彩票,意外中了大獎,這讓他重新燃起了生活的希望。但他似乎高興過了頭,導致他丟失了那張彩票。于是迪奈勒和他的朋友思萊、帕皮里優一起踏上了尋找彩票的旅程。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

另一個地球

威廉·麥鮑瑟,布里特·馬靈,馬修-李·埃爾巴赫,DJ Flava,Meggan Lennon,AJ Diana,Bruce Colbert,Paul Mezey,Ana Valle,Jeffrey Goldenberg,Joseph A. Bove,Jordan Baker,Flint Beverage,Robin Taylor,魯伯特·雷德

  在一個平靜的夜晚,一輛飛馳而來的汽車,撞碎了音樂教授約翰(威廉·麥鮑瑟 William Mapother 飾)的幸福生活,他的妻女以及美好的人生都被尚未成年的少女羅娜(布里特·馬靈 Brit Marling 飾)奪去。這起事故,也讓羅娜的心靈蒙受巨大打擊。罪惡感讓她過著最底層的生活,卻始終逃脫不掉靈魂的譴責。偶然機會,她重逢約翰,并以清潔人員的名義走進約翰潦倒無望的生活。在一段時間相處過后,他們漸漸溫暖了彼此漫布創痕的心。與此同時,人類發現了一顆與地球極為相似的行星,而那里似乎也住著人類另一個自己。這是希望,還是美好的夢想?  本片榮獲2011年圣丹斯電影節評委會特別獎。

河童之湄瀾怪談

龐玉龍,黃柏鈞,張沙沙,鄭曉民,何涌生

生物化學專家明翰受警局顧問沃克教授推薦,協助警方調查不明水生物離奇殺人案件。開始眾人都深信是鬼神之說出來害人,明瀚不以為然堅信自己的判斷,隨著案件的偵破,明翰得知兇手就是他尋找多年的父親明智,當年父親和沃克教授一起秘密實驗時,不幸意外感染,變異成了今天肆意殺人的河童。 最終真相大白原來這一切都是沃克教授所為,為了利益他背著明智進行非法人體實驗,當明智不幸感染時,他不僅沒有醫治明智還把他當成了意外的驚喜,對他進行了人體試驗,導致明翰的母親無人照顧病死家中多日。最終父子二人聯手協助警方摧毀了這個犯罪組織。

懸案密碼4

尼古拉·雷·卡斯,法瑞斯·法瑞斯,約翰·路易斯·施密特,索倫·比爾馬克,范妮·博內代爾,克拉拉·羅薩杰,路易斯·斯科夫,阿曼達·拉德里亞克,安德斯·霍夫,尼可拉斯·布若,埃利奧特·克羅賽特·霍夫,碧爾特·諾伊曼,邁克爾·布羅斯楚普,瑪麗安·霍格斯布羅,薇比珂·哈斯特倫,特賴恩·帕里森,納斯塔加·阿爾賽,亨里克·韋斯特加德·尼爾森,拉多·哈季奇,安德斯·布林克·馬德森,旺達·佩德爾維茨

  丹麥懸疑犯罪片,該片刷新丹麥國產片票房紀錄,是系列電影《懸案密碼》的第四部,也是最終章,《懸案密碼》系列改編自丹麥小說家尤西·阿德勒-奧爾森(JussiAdler-Olsen)的同名小說,

牧群

  The first feminist vegan horror film, The Herd has been rejected by some film festivals for being too horrific or political. A number of kidnapped women are kept imprisoned in a squalid medical facility condemned to a life of enforced servitude at the whims of their captors, without any hope of rescue or escape.