即刻觀影
劇情賞析
編輯推薦
伊甸之槍
Alexandra Faye Sadeghian,Bill Kennedy,Peter Johnson四名周末露營者被武裝民兵追捕。
飛馳人生3
沈騰,尹正,黃景瑜,張本煜,魏翔,沙溢,范丞丞,孫藝洲,段奕宏,張新成,胡先煦,李治廷,白宇帆,周政杰,高華陽,賈冰,王安宇,陳永勝,馮紹峰,郝瀚巴音布魯克最后一站收官后，張馳（沈騰 飾）受邀作為車隊主教練征戰全新賽事“沐塵100拉力賽”，“野生車手”走上國際舞臺！面對高手如云的全新賽道，孫宇強（尹正 飾）、記星（張本煜 飾）一如既往協同作戰，林臻東（黃景瑜 飾）等實力車手應邀強勢集結，一支凝聚了頂配速度與信念的車隊就此成立！然而，張馳發現真正的挑戰仿佛并非來自比賽本身，賽場之外暗流涌動，讓他們飛馳之路充滿變數……
單獨之戀
凱文·詹姆斯,喬納森·魯米,金·寇茲,艾莉森·漢尼根,朱莉·安·埃默里,妮可·吉瑪多,茱莉·塞爾達,朱莉婭·梅西娜Matt's fiance leaves him at the altar. Heartbroken, he goes on their planned Italian honeymoon alone. There he rediscovers his zest for life, food, and meets Gia who helps him find love again.
鏢人：風起大漠
吳京,謝霆鋒,于適,陳麗君,孫藝洲,此沙,李云霄,梁家輝,張晉,惠英紅,張譯,李連杰,劉耀文,熊瑾怡,莒謙朗,白那日蘇,梁壁熒,文俊輝,董思成,林秋楠,景瓷,張藝瀧,李嘉輝,寇占文,代樂樂,釋彥能,徐向東,淳于珊珊,孟鶴堂,于榮光,陳少熙,趙箭,袁和平大漠之上，鏢人、官府、西域五大家族等多方勢力盤根錯節、暗潮涌動。“天字第二號逃犯”刀馬接下特殊押鏢任務，和同伴一起從西域護鏢遠赴長安。不料，他們的護送對象竟是“天字第一號逃犯”知世郎……天下熙熙皆為利來，各方勢力聞風入局，搶鏢廝殺接連上演……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
安身何處
比爾·薩奇,埃迪·法可,Tatiana Abracos,Aida Johaness,杰·托馬斯,Jade GoldenJoseph Fulton, a well-regarded fifty-eight-year-old director of romantic comedies, wants to become assistant groundskeeper at a local cemetery. He wants to work outdoors and be close to nature. Meanwhile, he thinks it’s important to have his last will and testament drawn up. But his highly dramatic actress girlfriend thinks he must be dying and that he is just too brave to tell anyone. The rumor spreads and soon everyone he knows—and some he doesn’t—are crowded into his small apartment to say their last farewells.