艷女癡情

5.1 播放:43萬 更新:2026-06-06
主演: 蕭堯/

惠民(龍邵華)收到留學通知書要去美國,讓女主角小英等他兩年,不久,小英爸爸的公司突然垮了,債主也上門要債,小英放棄讀書去工作,認識了吳大衛(李麥克),吳大衛說能幫小英爸爸的公司還債,條件是要嫁給他。結婚后,嫌棄小英不是處女,后來天天帶女人回家玩,最后小英殺死了吳大衛,事后自首,因表現良好而提前假釋,最后與惠民結婚。

播放通道

詳細簡介

惠民(龍邵華)收到留學通知書要去美國,讓女主角小英等他兩年,不久,小英爸爸的公司突然垮了,債主也上門要債,小英放棄讀書去工作,認識了吳大衛(李麥克),吳大衛說能幫小英爸爸的公司還債,條件是要嫁給他。結婚后,嫌棄小英不是處女,后來天天帶女人回家玩,最后小英殺死了吳大衛,事后自首,因表現良好而提前假釋,最后與惠民結婚。

同類推薦

龍口走蛟

備案單位愛奇藝影業(重慶)有限公司   梗概:龍口鎮近來怪事不斷,外鄉人青云子和張不平游歷至此,意外卷入神秘事件當中,他們最終揭開真相,守護了龍口鎮的安寧。

墻頭記之少兒篇

韓文庚,李繼凱,王夢涵,王紀營,孫若馨,王光昊

本片根據蟠龍梆子傳統戲《墻頭記》改編,由六位九至十歲的蟠龍梆子學員主演,以兒童視角講述張木匠與兩個兒子之間的故事,教育人們不要忘記父母的養育之恩,以孝為先。旨在傳承發揚中華民族傳統美德,弘揚戲曲文化。

咒·絲

戴立忍,梁靜,翟子陌,孔宋今,安琥,張瑤

  電臺主持人卓鎮濤(戴立忍 飾)極富才氣,他主持的情感心理節目深受廣大聽眾喜愛。他還有一個令人羨慕的家庭,妻子(梁靜 飾)賢良持家,長女曉藝是T臺的新星,兒子曉柏(翟文斌 飾)是有名的造型師,小女曉芊更是清新可人,伹隨著妻子在水族館的不幸遇害,這個美滿的家庭發生了巨大變化。警方確認為他殺,而卓鎮濤因忙于工作疏于家庭從而背上了很大的心理包袱。三個孩子為兩任妻子所生,而兩任妻子全都死于非命。曉藝把責任一鼓腦推給爸爸,雖說同父異母的孩孒們相處融洽,但作為心理專家的卓鎮濤確實難辭其究。隨著又一樁詭異事件的發生,真相即將浮出水面......

深入陰宅

辛政順,尹伊娜,申素媛

  在京畿道有一所廢棄的住宅,此前曾屬于一名金姓老板,他所經營的食品工廠蒸蒸日上,然而他因外遇而和妻子關系日漸惡劣。某天,金老板一家五口被人殘忍殺害,與之有染的女員工也下落不明。附近百姓傳說女員工早被殺死,她的怨靈屠殺了金老板一家,金老板的住宅也成了當地著名的鬼宅。  2010年的一天,電視臺《廢家探訪》劇組慕名前來,但是包括制作人李永珠、導演崔圭石、錄音記者程智英、廢家探訪隊員任萬首、萬美真、崔雨嵐一行六人最終神秘失蹤。6月的一天,攝制組的錄像帶素材重現天日,經過一番修復,攝制組成員們最后那段恐怖的經歷得以展現世人面前……

公寓2024

斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,Manika

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.