魔女瑪塔

　　平靜的一天，事業小有成就的中年男子杰米（費爾南多·卡約 Fernando Cayo 飾）和妻子瑪爾塔（安娜·瓦格納 Ana Wagener 飾）、女兒伊莎（曼紐拉·維拉斯 Manuela Vellés 飾）搬入了夢寐以求的大房子內。正當一家人爭論晚上該不該一起度過時，三個蒙面歹徒闖入房中。為了保護家人的安全，杰米積極配合，抄下了信用卡號碼并交出手機，并隨同歹徒的首領外出取錢。他時刻尋找機會報警，卻不知自己所面對的是根本不會妥協的冷血惡魔。另一方面，不斷有訪客扣響杰米家的房門，恐慌的瑪爾塔母女則想盡一切辦法逃脫，似乎又讓一切變得更加糟糕。　　似無止境的長夜，愈加黑暗幽冷……

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

 西元2274年人類居住在由電腦控制的城市中，在這個城市中無優無慮，可自由毫無拘束的追求享樂；但到30歲時每一個人必須接受考驗，一個探究永恒、重生的試煉……

本片講述了一個發生在鄉村，因逼婚和一個翡翠鐲子而引發的一系列陰差陽錯、環環相扣的懸疑鬧劇。揭示了人性的復雜與命運的無常。