愛干凈的妻子貪戀巨屌的理由

4.4 播放：30萬 更新：2026-06-15
主演： 菅原義/

愛干凈的妻子玲子和丈夫婚后幸福生活，突然有一天鄰居男子進入到男人經驗少的玲子的視線，鄰居男子的大物...之后在她的腦海中深深扎根，從修理工到叔叔...陷入了和巨屌做艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。

播放通道

詳細簡介

愛干凈的妻子玲子和丈夫婚后幸福生活，突然有一天鄰居男子進入到男人經驗少的玲子的視線，鄰居男子的大物...之后在她的腦海中深深扎根，從修理工到叔叔...陷入了和巨屌做艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。

同類推薦

附身

阿比蓋爾·布雷斯林,大衛·休萊特,史蒂芬·麥克哈蒂,彼得·奧特布里奇,米歇爾·諾爾頓,薩曼莎·溫斯坦

 1985年，濃霧籠罩的郊外，周日早晨少女麗莎·約翰遜（阿比蓋爾·布蕾斯琳 Abigail Breslin 飾）被弟弟羅比（Peter DaCunha 飾）吵醒。她頗感煩惱地起床，按照媽媽（米歇爾·諾爾頓 Michelle Nolden 飾）的指示洗衣服，爸爸布魯斯（彼德·奧德博拉治 Peter Outerbridge 飾）則在地下室修著汽車。看似平凡無奇的普通人家，卻彌漫著詭異神秘的氣息。不知曾幾何時，麗莎發現每天重復著同樣的內容，家人反復干著同樣的事、說著同樣的話、度過同一個濃霧籠罩的周末。她嘗試改變這一切，然而無從下手，此外更有帶著死神氣息的男子警告麗莎不要破壞當前的一切。無法忍受折磨的麗莎，不可避免落入過去、現在和未來的夾縫中，局勢完全失控……

加州套房

簡·方達,阿倫·阿爾達,瑪吉·史密斯,邁克爾·凱恩,沃爾特·馬修

 故事發生在加州酒店之中。著名演員戴安娜（瑪吉·史密斯 Maggie Smith 飾）和丈夫西德尼入住酒店，戴安娜獲得了奧斯卡金像獎的提名，信心滿滿的她相信自己一定能夠獲獎，哪知道事與愿違，憤怒的戴安娜只想著趕緊離開這個讓她感到傷心的地方。漢娜（簡·方達 Jane Fonda 飾）帶著女兒也住在酒店之中，她此行的目的是和同自己離婚已久的前夫比爾（阿倫·阿爾達 Alan Alda 飾）見面。女兒煩透了母親的獨斷專決，希望能夠留在這里和父親生活一段時間。馬文（沃爾特·馬修 Walter Matthau 飾）比妻子早一天入住了酒店，哪知道自己的好哥們居然送了自己以為金發美人作為大禮。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

感恩節

帕特里克·德姆西,泰·奧爾森,吉娜·格申,加布里埃爾·達文波特,凱倫·克里奇,內爾·維拉克,里克·霍夫曼,德里克·麥克加特,凱瑟琳·特羅維爾,杰倫·托馬斯·布魯克斯,米卡·阿蒙森,阿曼達·巴克,沙琳·格里芬,提姆·狄龍,克里斯·桑迪福德,艾蒂森·蕾,托馬索·薩內里,珍娜·沃倫,林恩·格里芬

　　一個連環殺人犯前往馬薩諸塞州小鎮，想把鎮上居民打造成感恩節活人雕刻版。

走心男

權相佑,文彩元

影片翻拍自阿根廷電影《膝下無子》，講述了高中時期遇見初戀的男人無意間將家庭史變成秘密而展開的一系列風波浪漫喜劇故事。