溺愛:調教記憶

重返重生

講述一位名叫艾琳·凱利的母親穿越到不同的平行宇宙，找到殺害她女兒的兇手，并一次又一次地把兇手干掉。當她被復仇的火焰吞噬時，她的人性也將變得岌岌可危。

六度戰栗

　　邁可透過一張光碟，參加了一場刺激的游戲，在月黑風高的晚上他發現自已稍稍走進一間屋子并從廚房拿刀子殺死一個沈睡著的男人當邁可醒來時他興奮極了，這一生他從沒有這么刺激和開心過，第二天當他看到新聞。天啊！那件謀殺案真的發生了嗎？后來第二張CD又寄來了，他決定結束這場荒謬的游戲，但主謀者從邁可的電腦中走出來，他竟是一具有形象的＂人＂，并且一再要脅邁可再玩下去，也挑唆他面對恐懼和幻象，邁可就像受催眠一般他無處可逃，主謀者已經完全控制了他使他分不清什么是真什么是假……

競時出擊

刑警沈佳明、吳艷和康業在破獲一宗跨國重案后，卷入一系列離奇命案。首名死者孫成剛車禍身亡疑點重重，隨后女子孔思思也遭遇不測。警方發現兩名受害者均與醫院器官捐獻系統存在關聯，而醫院器官捐獻協調員糜芳、醫生馬玉茹以及等待器官移植的羅永軍兄妹皆被卷入漩渦。就在刑警們分頭追兇時，第三名潛在受害者已危在旦夕。吳艷與時間賽跑，阻止了一場高空謀殺，卻發現真兇竟藏于最意想不到的身邊。

鬼迷藏

伊甸之槍

四名周末露營者被武裝民兵追捕。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster