劇情簡介
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熱線電話
謝園,馬羚,劉冬,李幼斌在一個壓抑無望的夜晚，擁有超凡脫俗美麗容顏但是全然看不到一點生氣的年輕女子文珊（馬羚 飾）撥通了熱線電話，心理學家潘菁（劉冬 飾）接通后幾番詢問對方是否遇到了困難。經過漫長的沉默過后，文珊幽幽道出想要離開這個世界的想法。任憑潘菁如何呼喊阻止，但去意已決的文珊還是割開了自己的手腕。危機時刻，文珊的男朋友大寶（仇曉光 飾）破門而入，救下了奄奄一息的愛人。悲慘的身世或許是這位美麗女子自尋短見的原因，她自幼被父母遺棄，養父宋安成（李幼斌 飾）又是一個禽獸不如的男人。雖然和出租車司機大寶在一起體會到些許的安慰，然而悲痛的記憶折磨得她失去了活下去的希望。她的人生，她的命運，掌握在誰的手中？
養鬼吃人2
Clare Higgins,Ashley Laurence,Kenneth Cranham,Imogen Boorman,Doug Bradley第一集中，少女克莉斯蒂（Ashley Laurence 飾）的家庭遭受魔鬼賽諾貝斯的摧殘，親人相繼死亡，她本人也被送入精神病院治療。除了醫生助手凱爾（William Hope 飾）外，沒人相信克莉斯蒂的離奇故事。當瘋狂的醫生菲利普?切諾德（Kenneth Cranham 飾）從助手口中得知少女的經歷后，他決定將惡魔重新帶回人間。業已死亡的繼母朱莉（Clare Higgins 飾），在這個變態狂人的喂養下再次復活……
圣母瑪利亞2026
安妮·海瑟薇,米凱拉·科爾,亨特·莎弗,小枝女孩,雅典娜·弗里澤爾,凱雅·基伯,杰西卡·布朗·芬德利,伊紹拉·巴貝-布朗,阿爾芭·巴普蒂斯塔,茜安·克利福德,帕里納斯·埃斯梅爾薩德,勞拉·米金,朱莉婭·斯托爾巴,丹尼·維塔勒傳奇流行巨星Mother Mary（安妮·海瑟薇 飾）為了以完美形象回歸舞臺，找上疏遠多年的好友兼前造型師薩姆（米凱拉·科爾 飾），卻也掀開埋藏已久的傷疤。
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約翰·馬加羅,琪森·哈蒙,艾莉亞·馬佐爾夫Newlyweds move into their dream home where they discover a collection of 100-year-old letters from a young woman who committed suicide after being abandoned by the owner of the home.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
癡狂錄
昂格利基·帕普利亞,揚·貝弗特,克里斯特斯·帕薩利斯,瓦西里斯·馬古里奧蒂斯一位海洋考古學家開啟了一項突破性的科學實驗。她打算驗證一個理論：黑膠唱片的物理制作工藝與陶器相似，因此某些古典雙耳瓶可能意外記錄下了2500年前的簡單聲音，并在今天得以播放。為了在古瓶上實驗前先制作測試模型，她拜訪了她的前姐夫——一個冷酷又古怪的雕塑家。實驗的結果卻是一場超乎人類荒謬想象的意外。