欲女大翻身

★ 0.7 播放：75萬 更新：2026-06-06
主演： 國澤實/

進一是名外表出眾、但卻沒實力的年輕搞笑藝艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。穩定交往的女友從偶像轉型成為新銳諧星后便甩了進一，連現在的工作伙伴美奈也漸漸對他冷淡。在進一事業與感情都不順遂，焦躁不安之際，受到上天眷顧的他，獲得一件穿上即可變身為超人氣丑諧星的神奇T恤。于是進一靠著這件不可思議的T恤，化名為“毒島”，透過自虐毒舌的個人特色獲取大眾的喜愛，并隱藏自己的真實身分，和由利合作，以成為頂尖明星為目標開始努力……

在線播放

劇情簡介

進一是名外表出眾、但卻沒實力的年輕搞笑藝艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。穩定交往的女友從偶像轉型成為新銳諧星后便甩了進一，連現在的工作伙伴美奈也漸漸對他冷淡。在進一事業與感情都不順遂，焦躁不安之際，受到上天眷顧的他，獲得一件穿上即可變身為超人氣丑諧星的神奇T恤。于是進一靠著這件不可思議的T恤，化名為“毒島”，透過自虐毒舌的個人特色獲取大眾的喜愛，并隱藏自己的真實身分，和由利合作，以成為頂尖明星為目標開始努力……

導演精選

心之高歌

作為聾人家庭唯一能聽見聲音的成員，含羞的少女發現自己擁有唱歌天賦，她不得不在履行責任和尋找自己的道路之間做出抉擇。

阿凡達：火與燼

　　影片聚焦杰克·薩利與奈蒂莉一家的命運起伏，在前作的情感余波之上，深刻描繪一個家族在戰火中如何成長、并共同守護血脈相連的情感紐帶的歷程，從而將故事推向更具張力的全新維度。此外，潘多拉的全新領域也即將揭曉——觀眾將首次邂逅“風之商人”這個崇尚和平的全新游牧民族，他們乘坐獨特的浮空生物飛船穿梭于各部落間，交易貨物、傳遞信息。　　而更具顛覆性的是“灰燼族”的登場，這個以掠奪為生、性情兇猛的族群，與大地之母愛娃之間有著深刻的矛盾。他們的出現，將撕開潘多拉不為人知的黑暗傳說。當弒親之仇與部落恩怨交織，潘多拉的命運懸于一線——在這場跨文明的復仇之戰中，人類與納威族將如何抉擇，才能真正守護各自的家園與未來？

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster