色欲之死1

★ 1.8 播放：88萬 更新：2026-06-09
主演： 友松直之/

21世紀(jì)，一種未知的病毒開始在世界上的各大城市之中蔓延艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。幾周內(nèi)已經(jīng)毀滅了很多地區(qū)，到處都是嗜血的僵尸。這種病毒會(huì)驅(qū)使人嗜血，渾身新陳代謝系統(tǒng)加速運(yùn)轉(zhuǎn)，直到身體內(nèi)的養(yǎng)分不能維持機(jī)能運(yùn)作為止，那個(gè)時(shí)候的世界上出現(xiàn)了一個(gè)新物種-不死者。故事分為3個(gè)視角開始：一個(gè)想要拍攝病毒電影的制作團(tuán)隊(duì)來到了一個(gè)小樹林中尋找資源，1對(duì)從僵尸城市倫敦逃出尋找避難場所的夫婦，還有一組幸存者來到郊外的農(nóng)場尋找食物和藥品。3方面都受到了僵尸群的襲擊，而死亡的夜幕也剛剛降臨.....

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劇情簡介

21世紀(jì)，一種未知的病毒開始在世界上的各大城市之中蔓延艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。幾周內(nèi)已經(jīng)毀滅了很多地區(qū)，到處都是嗜血的僵尸。這種病毒會(huì)驅(qū)使人嗜血，渾身新陳代謝系統(tǒng)加速運(yùn)轉(zhuǎn)，直到身體內(nèi)的養(yǎng)分不能維持機(jī)能運(yùn)作為止，那個(gè)時(shí)候的世界上出現(xiàn)了一個(gè)新物種-不死者。故事分為3個(gè)視角開始：一個(gè)想要拍攝病毒電影的制作團(tuán)隊(duì)來到了一個(gè)小樹林中尋找資源，1對(duì)從僵尸城市倫敦逃出尋找避難場所的夫婦，還有一組幸存者來到郊外的農(nóng)場尋找食物和藥品。3方面都受到了僵尸群的襲擊，而死亡的夜幕也剛剛降臨.....

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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驚聲尖叫7

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