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古劍奇譚之焚寂天劫
白澍,梁婧嫻,姜震昊,黃羿,王景灝花園街五號
李默然,龐學勤,方舒,龐好,李龍吟,劉童,王村人,胡爾西德·吐爾地,李仁堂,周諒量,張沖霄,詹靖波,阿爾斯朗·阿布都克力木,李萌,柏瑞桐,劉大航,馬明,劉彤彥副總統
克里斯蒂安·貝爾,艾米·亞當斯,史蒂夫·卡瑞爾,山姆·洛克威爾,娜奧米·沃茨,艾麗森·皮爾,埃迪·馬森,賈斯汀·柯克,麗莎蓋伊·漢密爾頓,杰西·普萊蒙,比爾·坎普,唐·麥克馬納斯,莉莉·拉貝,謝伊·惠格姆,斯蒂芬·阿德利·葛爾蓋,泰勒·派瑞,杰夫·博斯利,吉利安·阿美娜特,馬修·雅各布斯送葬人
道格拉斯·史密斯,盧錫安·拉維斯科特,克雷西達·博納斯,道格·瓊斯,邁克爾·特魯科,珍娜·凱內爾,埃麗卡·特倫布萊,瑪麗莎·埃切維里亞,克利奧·金,費·唐納薇,凱瑞-安·莫斯,雷·沃納爾,凱琳·伍黛爾,拉臘·諾克斯,喬納森·潘內爾,尼古拉斯·薩德勒,瑪莎·哈克特,庫爾特·岳芝加哥大火記
泰隆·鮑華,艾麗絲·費伊,唐·阿米契,艾麗絲·布雷迪擂臺兄弟
阿俊·阿肖坎,羅尚·馬修,維沙克·奈爾 ,Ishan Shoukath,Carmen S Mathew,Siddique,Syamaprakash M.S.,Thezni Khan,拉克施米·麥儂,Mammolotti同類推薦
被時間遺忘的人
帕特里克·韋恩,道格·麥克洛,莎拉·道格拉斯本片根據艾德加·賴斯·巴勒斯的小說改編而成。講述的是第一次世界大戰期間,一艘德國潛艇在撞沉一艘英國人的船以后,救起了幸存者。但是這艘潛艇開錯了方向,將這些幸存者帶到了一片未知的土地上。那里,棲息著大量的恐龍和穴居人。他們能順利地重返家園嗎?
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
我的朝圣之路
克里斯·海伍德,Jennifer Cluff,Laura Lakshmi2013年,一名離60歲還有幾個月的澳大利亞男子決定走圣地亞哥之路——一條橫跨西班牙山頂的800公里朝圣之路。他沒有宗教信仰,也完全不知道為什么他如此強烈地被迫走這條痛苦的路。但他是被迫的。他完成了步行,與“三重疼痛”作斗爭——他后來發現膝蓋缺乏任何有意義的軟骨,一看到水泡就會讓一個成年人哭泣,脛骨酸痛感覺就像他的下肢被一個瘋狂的巨魔揮舞的山斧劈開了。當他到達圣地亞哥德孔波斯特拉雄偉的大教堂卡米諾的盡頭時,他期待著一個頓悟——一個他每天都在問自己的問題的答案:我為什么要這樣做?但沒有人回答。所以當他回到家時,他寫了一本書,希望答案能在他的涂鴉中顯現出來。結果就是《路,我的路》,這是一本幽默而自嘲的書,許多人認為這是有史以來關于走過卡米諾的最好的回憶錄。這本書現在已經拍成了一部電影,它非同尋常地描述了一個男人在人生的關鍵時刻,尋找意義,發現自己正在經歷一場深刻的根本性轉變,以至于他現在將自己的生活分為“卡米諾之前”和“卡米諾之后”。這是一個男人特有的故事,但對任何尋求生命更大意義的人都有吸引力。
普通事故
瓦希德·穆巴謝里,瑪麗亞姆·阿夫沙里,艾卜拉希姆·阿茲茲,哈迪斯·帕克巴滕,馬吉德·帕納西,穆罕默德·阿里·艾利亞斯梅爾,德爾瑪茲·納加菲,阿菲桑內·納姆巴蒂,喬治·哈什姆扎德,莉安娜·阿茲茲菲只是一場意外,卻又超乎意外。駕車撞死一條狗,男子與妻女來到陌生車房。憑其義肢走動時的聲響,車房工認出司機或是當年施酷刑的獄吏。仇人送上門,雪恨更待何時。然而,獄中受折磨時雙眼被蒙,嫌疑犯是行刑者確實無誤?從早到晚奔波一輪,找來幾個獄友確認俘虜身份,痛苦回憶涌上心頭。在無 垠沙漠等待把他活埋私了,有若在人性荒原等待果陀,替天行道又是否問心無愧?以懸疑驚栗布局,暗黑寫實的人物故事來自巴納希獄中親見親聞,將苛政、濫權、以暴易暴一一置于道德倫理的天秤上,丈量人性輕重;悲憤中不失幽默,連消帶打貪污賄賂之風。一面金棕櫚獎,絕非意外。
教場Reunion
木村拓哉,大島優子,川口春奈,目黑蓮,福原遙,赤楚衛二,白石麻衣,染谷將太,坂口憲二曾出現在《教場1&2》SP 和《教場 0》的部分學生、新人刑警演員回歸,為這個系列畫上句點,并揭示風間右眼被刺傷的真相。