劇情簡介
軍隊剛退伍的途徑（新院號）是孤島的船上神秘的魅力，佳人（火焰），為消失的她的柔弱的姿態上的拉艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。那天晚上，兩人;特別多的酒吧里見到過了一夜。佳人的內心的欲望逐漸升溫，途徑是無法抗拒的擺脫她的執著而掙扎...
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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
豹子灣戰斗
李成彬,劉桂芬,楊秀章,石寶善,雷平,陳瑞龍,劉蘊華,魏堅,王燕,任士,曹存達,吳春光,李森芝,胡勇,張建平,吳斗爭,趙成芳1940年，國民黨反動派調集重兵對我 陜甘寧邊區 實行軍事進攻。在前線與日寇浴血奮戰的我八路軍某部，奉命回師保衛陜北根據地。常勝英雄連紅一連戰士被分配參加 大生產運動 。為此，連長丁勇和戰士們求戰心切，產生思想波動。上級派楊虹到紅一連任指導員，戰士們見是個女同志便議論紛紛。接著，上級又把婦女隊編入該連開進豹子灣屯墾。部隊在豹子灣安下營地，大家對開荒的缺乏認識，結果，紅一連第一天的開荒成績名列全團最后，這對丁勇震動很大。指導員楊虹耐心幫助丁勇，指出敵人企圖以軍事包圍、經濟封鎖來困死餓死我們，我們就要響應毛主席的號召，自力更生，艱苦奮斗，粉碎敵人的陰謀。楊虹的一番話，引起丁勇的深思。丁勇思想有了轉變。他和指導員一起帶領全連戰士掀起轟轟烈烈的開荒熱潮。短短二十幾天，他們就超額完成了上級交給的開荒任務，被評為全團第一。團長從前方回來，連長丁勇向團長請求新的戰斗任務，沒想到團部正在考慮分配紡線任務。指導員楊虹主動請求紡線，她認為，眼下部隊換不了季，要粉碎敵人的經濟封鎖，紡線就是革命。丁勇認為這是女同志干的活兒，不適合紅一連打硬仗的特點。他一怒之下跑到團部，卻意外地看到團長正盤著受傷的腿，全神貫注地學習紡線，丁勇深受感動。他毅然找到指導員一起到團部請求紡線任務。協團長把毛主席穿著補丁衣服的照片和周恩來副主席親自紡的棉線拿給他們看。毛主席、周副主席、朱總司令的光輝典范，激發了丁勇和全連指戰員的激情。他們以更大的熱情，投入到 大生產運動 中，取得了豐衣足食的輝煌成果。4年后，隨著形勢的發展，紅一連響應毛主席的號召，開赴前線。
阿姆魯姆
Jasper Billerbeck,勞拉·湯克,麗莎·哈格邁斯特,Kian K?ppke,拉爾斯·耶森,德特勒夫·布克,馬提亞斯·施維赫夫,黛安·克魯格,德克·伯林,哈克·波姆,Tony Can,Rita Feldmeier,馬克·哈洛夫,Morten Bo Heine,馬克斯·霍普,Polli Leuner,Jorid Lukaczik,Bernd Moss,Florentine Panizza,Thomas Perkins這部歷史劇以1945年春季二戰尾聲為背景，聚焦十歲少年南寧。其父遠征戰場，少年竭盡所能助母養家：獵捕海豹、暗夜捕魚、躬耕田間。然而期盼已久的和平降臨后，卻催生全新沖突，南寧必須在廢墟之上探尋屬于自己的人生航向。
金屬之聲
里茲·阿邁德,奧利維亞·庫克,保羅·拉西,勞倫·利德洛夫,馬修·阿馬立克,克里斯·佩爾費蒂,邁克爾·陶,威廉·澤法爾茨,亞歷克斯·基爾戈爾,杰米·加扎里安一個搖滾樂隊的鼓手（里茲·阿邁德）突然發現自己失聰，他的樂隊搭檔露（奧利維亞·庫克）和他都很懊惱，但又不得不面對這殘酷的現實。影片去年在多倫多電影節首映，作為導演處女作獲得媒體好評。
拍得不錯
方中信,周柏豪 ,張兆輝,蔡卓妍,盧海鵬,林雪,李燦森,應采兒,苗僑偉,宣萱由五個單元故事組成的GOOD TAKE，是香港電影新一代導演的創新作品，包括導演曾國祥《水泥》，講述警員9413（周柏豪）前往報案地點查案，最後只留下電話鈴聲卻不見其人，令人毛骨悚然；導演黃智亨的《囍宴》，一個小孩跟著跟爸爸（張兆輝飾）一起前赴媽媽新婚囍宴的故事，童真與成年人的無奈都盡在心頭；導演黃進的《Good Take》，透過甘草演員泰勒(盧海鵬飾)的生活是向資深電影從業員致敬的故事；導演楊龍澄的《不一定》，以型格對比色彩重構暴力血腥鏡頭；導演黃精甫的《嚇鬼》，Charlene（蔡卓妍飾）挑戰鬼屋一夜遊，遇上中國殭屍、長髮貞子和辮子姑娘，過程又驚又笑！五個故事各自有著不同風格及不同戲味！
筆仙2004
李世恩,金圭莉從漢城轉學到父母家鄉的高中后，李玉甄（李世恩 飾）受到班里四個女生的欺負，為了報復，她和另外兩個也常受她們欺負的同學玩起請筆仙的游戲，筆仙請來后，李玉甄施下詛咒，但也被鬼魂附身，不久，四個女生中有三人相繼以自焚的方式死去，警察調查后，將目標人物鎖定為李玉甄，可是此時李玉甄已 完全喪失記憶。 新調來的美術老師李恩珠（金圭莉 飾）第一天上課點名時，喊到29號金仁淑的名字時，全班同學厲聲尖叫，令她十分不解，在心儀她的同事的幫助下，她發現有關金仁淑的秘密，而這個秘密，也與李玉甄及死去的三名女生有很大干系。
嘔吐戈爾3：慢性折磨嘔吐室
這是三部曲的最后一部，故事圍繞著將自己奉獻給撒旦的妓女展開。這部影片的內容是極端而黑暗的，令人作嘔的情節屢屢出現，充斥著暴力，性，裸體，體液！一群女孩子和一個男人摳喉嚨催吐，然后吃掉嘔吐物，再吐出來……